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♥♥ A Short History of England BY G K Chesterton ♥♥ Although he is renowned for the Father Brown detective series, Chesterton also wrote volumes of nonfiction. First published in 1917, A Short History of England is exactly that, serving Chesterton's goal of publishing "a popular book of history written from the standpoint of a member of the public." ♥♥ A Short History of England BY G K Chesterton ♥♥ G.K. Chesterton was one of the towering figures of British literature in the early twentieth century. A man of massive size, massive personality, and massive appetite, Chesterton famous personality, dress, and personality gave rise to an eponymous adjective: Chestertonian. Although he is renowned for the Father Brown detective series, Chesterton also wrote volumes of nonfiction. ♥♥ A Short History of England BY G K Chesterton ♥♥ First published in 1917, A Short History of England is exactly that, serving Chesterton's goal of publishing "a popular book of history written from the standpoint of a member of the public." Filled with Chestertonian wit, the fast-moving history includes such gemlike observations as, Henry VIII "was almost as unlucky in his wives as they ...

A Short History of England is a work by G.K. Chesterton now brought to you in this new edition of the timeless classic.

A Short History of England is a history book written by G. K. Chesterton in which he summarizes British history from the time of Roman provinces on the British Island to the great wars in 20th century. Chesterton takes a rather romanticized view of the absolute monarchy of olden times and naturally gets increasingly more political as his history nears his own time period of World War I. Chesterton's unique perspective as a Catholic and as a collectivist are all reflected in his interpretation of everything from the dissolution of the monasteries to the poor laws of the 19th and 20th centuries

It will be very reasonably asked why I should consent, though upon a sort of challenge, towrite even a popular essay in English history, who make no pretence to particularscholarship and am merely a member of the public. The answer is that I know just enoughto know one thing: that a history from the standpoint of a member of the public has notbeen written. What we call the popular histories should rather be called the anti-popularhistories. They are all, nearly without exception, written against the people; and in themthe populace is either ignored or elaborately proved to have been wrong. It is true thatGreen called his book "A Short History of the English People"; but he seems to have thoughtit too short for the people to be properly mentioned. For instance, he calls one very largepart of his story "Puritan England." But England never was Puritan. It would have beenalmost as unfair to call the rise of Henry of Navarre "Puritan France." And some of ourextreme Whig historians would have been pretty nearly capable of calling the campaign ofWexford and Drogheda "Puritan Ireland."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. ...

It will be very reasonably asked why I should consent, though upon a sort of challenge, to write even a popular essay in English history, who make no pretence to particular scholarship and am merely a member of the public. G.K. Chesterton was one of the towering figures of British literature in the early twentieth century. A man of massive size, massive personality, and massive appetite, Chesterton famous personality, dress, and personality gave rise to an eponymous adjective: Chestertonian. Although he is renowned for the Father Brown detective series, Chesterton also wrote volumes of nonfiction. First published in 1917, A Short History of England is exactly that, serving Chesterton's goal of publishing "a popular book of history written from the standpoint of a member of the public." Filled with Chestertonian wit, the fast-moving history includes such gemlike observations as, Henry VIII "was almost as unlucky in his wives as they were in their husband." Of the great late Victorian/Edwardian trio of wits: George Bernard Shaw, Oscar Wilde, and Chesterton himself, it is Chesterton whose body of work -- writing in an unassuming manner, without great pretension -- may well persist...

England's rise to prominence on the world stage over the course of thousands of years is a tumultuous tale that includes equal parts triumph and tragedy. This volume grants readers a first-row seat as the drama unfolds, told with inimitable elegance, insight, and wit by world-renowned British thinker and writer G.K. Chesterton.

It will be very reasonably asked why I should consent, though upon a sort of challenge, to write even a popular essay in English history, who make no pretence to particular scholarship and am merely a member of the public. The answer is that I know just enough to know one thing: that a history from the standpoint of a member of the public has not been written. What we call the popular histories should rather be called the anti-popular histories. They are all, nearly without exception, written against the people; and in them the populace is either ignored or elaborately proved to have been wrong. Aeterna Press

A Short History of England is a "popular book of history" told through the layman's eyes. G. K. Chesterton takes the reader on brisk, casual strolls through the annals of Anglo-Saxon history by discussing key topics and periods, including "The Defeat of the Barbarians, I. INTRODUCTION II. THE PROVINCE OF BRITAIN III. THE AGE OF LEGENDS IV. THE DEFEAT OF THE BARBARIANS V. ST. EDWARD AND THE NORMAN KINGS VI. THE AGE OF THE CRUSADES VII. THE PROBLEM OF THE PLANTAGENETS VIII. THE MEANING OF MERRY ENGLAND IX. NATIONALITY AND THE FRENCH WARS X. THE WAR OF THE USURPERS XI. THE REBELLION OF THE RICH XII. SPAIN AND THE SCHISM OF NATIONS XIII. THE AGE OF THE PURITANS XIV. THE TRIUMPH OF THE WHIGS XV. THE WAR WITH THE GREAT REPUBLICS XVI. ARISTOCRACY AND THE DISCONTENTS XVII. THE RETURN OF THE BARBARIAN XVIII. CONCLUSION

Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton (1841-1922).G. K. Chesterton was baptised at the age of one month into the Church of England, though his family themselves were irregularly practising Unitarians. According to his autobiography, as a young man he became fascinated with the occult and, along with his brother Cecil, experimented with Ouija boards.Chesterton was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject.Family lifeChesterton married Frances Blogg in 1901; the marriage lasted the rest of his life. Chesterton credited Frances with leading him back to Anglicanism, though he later considered Anglicanism to be a "pale imitation". He entered full communion with the Catholic Church in 1922. The couple were unable to have children.

Filled with Chestertonian wit, the fast-moving history includes such gemlike observations as, Henry VIII "was almost as unlucky in his wives as they were in their husband." Of the great late Victorian/Edwardian trio of wits: George Bernard Shaw, Oscar Wilde and Chesterton himself, it is Chesterton whose body of work - writing in an unassuming manner, without great pretension - may well persist for future generations far longer than its charming, genial author ever imagined.This is an annotated edition with a brief biography of the author.

Reproduction of the original: A Short History of England by G.K. Chesterton

Gilbert Keith Chesterton was a prolific writer on many topics. His views of history were always from the standpoint of men and their interactions, and it may fairly be said he saw all of history as a battle between civilization and barbarism. So it has always been, and that remains true even today.

It will be very reasonably asked why I should consent, though upon a sort of challenge, to write even a popular essay in English history, who make no pretence to particular scholarship and am merely a member of the public. The answer is that I know just enough to know one thing: that a history from the standpoint of a member of the public has not been written. What we call the popular histories should rather be called the anti-popular histories. They are all, nearly without exception, written against the people; and in them the populace is either ignored or elaborately proved to have been wrong. It is true that Green called his book "A Short History of the English People"; but he seems to have thought it too short for the people to be properly mentioned. For instance, he calls one very large part of his story "Puritan England." But England never was Puritan. It would have been almost as unfair to call the rise of Henry of Navarre "Puritan France." And some of our extreme Whig historians would have been pretty nearly capable of calling the campaign of Wexford and Drogheda "Puritan Ireland.

Gilbert Keith Chesterton was a prolific writer on many topics. His views of history were always from the standpoint of men and their interactions, and it may fairly be said he saw all of history as a battle between civilization and barbarism. So it has always been, and that remains true even today. "But it is especially in the matter of the Middle Ages that the popular histories trample upon the popular traditions. In this respect there is an almost comic contrast between the general information provided about England in the last two or three centuries, in which its present industrial system was being built up, and the general information given about the preceding centuries, which we call broadly medieval." As this quotation taken from the Introduction clearly shows, he is no mere pedant reciting dry dates and locations, but a profound thinker flooding new light onto those modern "myths" that have filled our histories. He is a master of paradox, and the technique of reducing his opponents' arguments to the logical absurdity they have inherent in them. He often turns them upside down. All of which makes his work both a sound subject for reflection and highly entertaining all the...

Chesterton, in his unimitable way, remarks that "the only way to write a popular history is to write it backwards." This is somewhat the method he employs in his book, "A Short History of England," in which he aims to show the importance of the populace in history, an importance that is wholly neglected by historians. England, he asserts, was created, not so much by the death of the ancient Roman civilization, as "by its escape from death, or by its refusal to die." For four hundred years Britain was wholly Roman in its civilization. Medizeval civilization arose out of the "resistance to the naked barbarians from the North, and the more subtle barbarians from the East." The crisis in English history, he argues, was not the period of the Stuarts, but the fall of Richard II. following "his failure to use medimval despotism in the interests of medieval democracy." Mr. Chesterton portrays the democracy of the Middle Ages, this civilization being the creation, really, of the people through their guilds and through monasticism which was a democratic institution which the Reformation destroyed.

"Gilbert Keith Chesterton has been the subject of several biographies, but none as comprehensive as The Outline of Sanity, A Biography of G. K. Chesterton by Alzina Stone Dale." -THE WALL STREET JOURNAL "A biography in which the imaginative and intellectual stature of the man is seen in its full measure." -SUNDAY TIMES (UK)

G. K. Chesterton's A Short History of England is a non-fiction work by the famous author on the history of England. Though more considered a commentary on the history of England than an actual accounting of the history, it is still viewed as a great literary work if for nothing more than the biting wit that Chesterton is so well known. Odin's Library Classics is dedicated to bringing the world the best of humankind's literature from throughout the ages. Carefully selected, each work is unabridged from classic works of fiction, nonfiction, poetry, or drama.

Through years of meticulous research and access to the literary estate of G.K. Chesterton, Joseph Pearce presents a major biography of a 20th century literary giant, providing a great deal of important information on GKC never before published. This is a thoroughly readable and delightful biography of a multi-faceted author, artist and debater who loved the friendship of children, idolized his wife and enjoyed great friendships with the likes of Hillaire Belloc, Bernard Shaw and H.G. Wells. Illustrated.

This study examines a selection of Chesterton’s novels, poetry, and literary criticism and outlines the distinctive philosophy of history that emerges from these writings. Looking at Chesteron's relationship with and influence upon authors including William Cobbett, Sir Walter Scott, Belloc, Shaw, H.G. Wells, Christopher Dawson, Evelyn Waugh, and Marshall McLuhan, McCleary contends that Chesterton’s recurring use of the themes of locality, patriotism, and nationalism embodies a distinctive understanding of what gives history its coherence. The study concludes that Chesterton’s emphasis on locality is the hallmark of his historical philosophy in that it blends the concepts of free will, specificity, and creatureliness which he uses to make sense of history.

G. K. Chesterton is remembered as a brilliant creator of nonsense and satirical verse, author of the Father Brown stories and the innovative novel, The Man who was Thursday, and yet today he is not counted among the major English novelists and poets. However, this major new biography argues that Chesterton should be seen as the successor of the great Victorian prose writers, Carlyle, Arnold, Ruskin, and above all Newman. Chesterton's achievement as one of the great English literary critics has not hitherto been fully recognized, perhaps because his best literary criticism is of prose rather than poetry. Ian Ker remedies this neglect, paying particular attention to Chesterton's writings on the Victorians, especially Dickens. As a social and political thinker, Chesterton is contrasted here with contemporary intellectuals like Bernard Shaw and H. G. Wells in his championing of democracy and the masses. Pre-eminently a controversialist, as revealed in his prolific journalistic output, he became a formidable apologist for Christianity and Catholicism, as well as a powerful satirist of anti-Catholicism. This full-length life of G. K. Chesterton is the first comprehensive biography of...

First published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.

G.K. Chesterton was a prolific writer on many topics. His views of history were always from the standpoint of men and their interactions, and it may fairly be said he saw all of history as a battle between civilization and barbarism. So it has always been, and that remains true even today. "But it is especially in the matter of the Middle Ages that the popular histories trample upon the popular traditions. In this respect there is an almost comic contrast between the general information provided about England in the last two or three centuries, in which its present industrial system was being built up, and the general information given about the preceding centuries, which we call broadly medieval." As this quotation taken from the Introduction clearly shows, he is no mere pedant reciting dry dates and locations, but a profound thinker flooding new light onto those modern "myths" that have filled our histories. He is a master of paradox, and the technique of reducing his opponents' arguments to the logical absurdity they have inherent in them. He often turns them upside down. All of which makes his work both a sound subject for reflection and highly entertaining all the while it...

First published in 1917, A Short History of England is exactly that, serving Chesterton's goal of publishing "a popular book of history written from the standpoint of a member of the public." Filled with Chestertonian wit, the fast-moving history includes such gemlike observations as, Henry VIII "was almost as unlucky in his wives as they were in their husband." Of the great late Victorian/Edwardian trio of wits: George Bernard Shaw, Oscar Wilde, and Chesterton himself, it is Chesterton whose body of work -- writing in an unassuming manner, without great pretension -- may well persist for future generations far longer than its charming, genial author ever imagined.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Short History of England&The Crimes of EnglandA Short History of England A Short History of England is exactly that, serving Chesterton's goal of publishing "a popular book of history written from the standpoint of a member of the public." Filled with Chestertonian wit, the fast-moving history includes such gemlike observations as, Henry VIII "was almost as unlucky in his wives as they were in their husband." Of the great late Victorian/Edwardian trio of wits: George Bernard Shaw, Oscar Wilde, and Chesterton himself, it is Chesterton whose body of work -- writing in an unassuming manner, without great pretension -- may well persist for future generations far longer than its charming, genial author ever imagined.The Crimes of EnglandThat great Englishman Charles Fox, who was as national as Nelson, went to his death with the firm conviction that England had made Napoleon. He did not mean, of course, that any other Italian gunner would have done just as well; but he did mean that by forcing the French back on their guns, as it were, we had made their chief gunner necessarily their chief citizen. Had the French Republic been left alone, it would probably have followed the example of ...

The land on which we live once had the highly poetic privilege of being the end of the world. Itsextremity was ultima Thule, the other end of nowhere. When these islands, lost in a night of northernseas, were lit up at last by the long searchlights of Rome, it was felt that the remotest remnant ofthings had been touched; and more for pride than possession.The sentiment was not unsuitable, even in geography. About these realms upon the edge ofeverything there was really something that can only be called edgy. Britain is not so much an islandas an archipelago; it is at least a labyrinth of peninsulas. In few of the kindred countries can one soeasily and so strangely find sea in the fields or fields in the sea. The great rivers seem not only tomeet in the ocean, but barely to miss each other in the hills: the whole land, though low as a whole, leans towards the west in shouldering mountains; and a prehistoric tradition has taught it to looktowards the sunset for islands yet dreamier than its own. The islanders are of a kind with theirislands. Different as are the nations into which they are now divided, the Scots, the English, theIrish, the Welsh of the western uplands, have...

One of the greatest writers of his time, G. K. Chesterton’s short stories, novels, poetry and essays demonstrate his unparalleled versatility in literature. This comprehensive eBook offers readers the most complete works possible in the US, as well as the usual Delphi bonus texts. Features: * concise introductions to the novels and other works * Father Brown stories, with special index * the original Father Brown illustrations * five novels, with contents tables * images of how the novels first appeared, giving your eReader a taste of the Edwardian texts * short story and poetry collections, with contents tables * special chronological and alphabetical contents tables for the poetry – find that special poem quickly and easily! * features 25 non-fiction books, each with contents tables * unique uncollected essays section, with rare articles by the great essayist * boasts a special criticism section, with four works examining Chesterton’s contribution to literature, including Patrick Braybrooke’s seminal work GILBERT KEITH CHESTERTON * many images relating to Chesterton’s life, works, places and film adaptations * scholarly ordering of texts in chronological order and...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Offering a detailed study of early 20th-century essayist, poet, novelist, political campaigner, and theologian G.K. Chesterton, author Stephen R.L. Clark explores Chesterton's ideas and arguments in their historical context, while also tracing the history of the early science fiction movement.

This engaging book provides a gateway to larger themes in modern British history through a set of fascinating portraits of individuals that explore important events and movements from the perspective of the people involved. Political developments are illuminated through chapters on John Locke, Charles Townshend, popular radicalism, and Margaret Thatcher. Religion and education are considered through essays on evangelicalism, the Oxford Movement, Charles Bradlaugh, and Sir James Kay Shuttleworth. Industrial and imperial questions are explored through pieces on the Great Exhibition, the Indian Rebellion of 1857, and post-colonial Nigeria. National identity and wartime experience come to life in the lives of G. K. Chesterton and of Barbara Nixon, an Airraid Warden during the Blitz. Many of the chapters examine the experiences of women, including single women in early modern England, suffragettes, and Irish nationalist Mary Butler. As a rich and humanized approach to history, this book offers readers a deeper understanding of key facets of British life in the early modern and modern periods.

"The Inklings, the Victorians, and the Moderns examines a small group of twentieth-century traditionalists in their quest to reconcile and translate conservative traditional ideas within a progressive modern scientific context. The method of reconciliation derives from their continued value of myth, religion, liberal education, and ancient texts"--

This carefully crafted ebook: "The Complete Works of G. K. Chesterton" is formatted for your eReader with a functional and detailed table of contents: The Father Brown Stories: The Innocence of Father Brown The Wisdom of Father Brown The Incredulity of Father Brown The Secret of Father Brown The Scandal of Father Brown The Donnington Affair The Mask of Midas Novels: The Napoleon of Notting Hill The Man who was Thursday The Ball and the Cross Manalive The Flying Inn The Return of Don Quixote Short Stories: The Club of Queer Trades The Man Who Knew Too Much The Trees of Pride Tales of the Long Bow The Poet and the Lunatics Four Faultless Felons The Paradoxes of Mr. Pond The White Pillars Murder The Sword of Wood Poetry: Greybeards At Play The Wild Knight and Other Poems Wine, Water, and Song Poems, 1916 The Ballad of St. Barbara and Other Verses The Ballad of the White Horse Gloria in Profundis Ubi Ecclesia Rotarians Plays: Magic – A Fantastic Comedy The Turkey and the Turk Literary Criticism: A Defence of Penny Dreadfuls Appreciations and Criticisms of the Works of Charles Dickens The Victorian Age in Literature Charles Dickens - Critical Study Hilaire Belloc Robert Louis...