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In this latest edition of Key Thinkers on Space and Place, editors Phil Hubbard and Rob Kitchin provide us with a fully revised and updated text that highlights the work of over 65 key thinkers on space and place. Unique in its concept, the book is a comprehensive guide to the life and work of some of the key thinkers particularly influential in the current 'spatial turn' in the social sciences. Providing a synoptic overview of different ideas about the role of space and place in contemporary social, cultural, political and economic life, each portrait comprises: Biographical information and theoretical context. An explication of their contribution to spatial thinking. An overview of key advances and controversie. Guidance on further reading. With 14 additional chapters including entries on Saskia Sassen, Tim Ingold, Cindi Katz and John Urry, the book covers ideas ranging from humanism, Marxism, feminism and post-structuralism to queer-theory, post-colonialism, globalization and deconstruction, presenting a thorough look at diverse ways in which space and place has been theorized. An essential text for geographers, this now classic reference text is for all those interested in...

“[Tuan] explores answers to an old and unanswerable question: how should we live? . . . The Good Life is a little anthology of good feeling, touchstones of joy . . . These pleasures make the book a pleasure, not of conviction or belief, but of conversation's meandering exploration.”—New York Times Book Review “Tuan, after all, is one of the few geographers who can be read for pleasure, and by the public as well as by the professional. But read not merely for pleasure, nor yet to mark, learn, and inwardly digest. Rather, consider Tuan's challenge to identify your concept of the good life, and then try to construct that life.”—Environment and Planning D: Society and Space

From the invention of skyscrapers and airplanes to the development of the nuclear bomb, ideas about the modern increasingly revolved around vertiginous images of elevation and decline and new technologies of mobility and terror from above. In The Vertical Imagination and the Crisis of Transatlantic Modernism, Paul Haacke examines this turn by focusing on discourses of aspiration, catastrophe, and power in major works of European and American literature as well as film, architecture, and intellectual and cultural history. This wide-ranging and pointed study begins with canonical fiction by Franz Kafka, Virginia Woolf, James Joyce, and John Dos Passos, as well as poetry by Guillaume Apollinaire, Hart Crane, and Aimé Césaire, before moving to critical reflections on the rise of New York City by architects and writers from Le Corbusier to Simone de Beauvoir, the films of Alfred Hitchcock and theories of cinematic space and time, and postwar novels by Kurt Vonnegut, Thomas Pynchon, and Leslie Marmon Silko, among many other examples. In tracing the rise and fall of modernist discourse over the course of the long twentieth century, this book shows how visions of vertical ascension...

Why does a particular landscape move us? What is it that attaches us to a particular place? Tall’s From Where We Stand is an eloquent exploration of the connections we have with places—and the loss to us if there are no such connections. A typically rootless child of several American suburbs, Tall set out to make a true home for herself in the landscape that circumstance had brought her—the Finger Lakes region of upstate New York. In a mosaic of personal anecdotes, historical sketches, and lyrical meditations, she interweaves her own story with the story of this place and its people—from the Seneca Nation of the Iroquois, to European settlers, to the many utopians who sensed and were inspired by a spiritual resonance here. This edition includes an introduction by William Kittredge and a foreword by Stephen Kuusisto, both highlighting the book’s significance and Tall’s exquisite skill in tracing the relationship between homelands and storytelling.

"Offers a singularly courageous, personal account of learning how to pour the poetics of space into the art of life." -- Geografishe Annales B: Human Geography

For more than three thousand years, Chinese life – from the city and the imperial palace, to the temple, the market and the family home – was configured around the courtyard. So too were the accomplishments of China's artistic, philosophical and institutional classes. Confucius' Courtyard tells the story of how the courtyard – that most singular and persistent architectural form – holds the key to understanding, even today, much of Chinese society and culture. Part architectural history, and part introduction to the cultural and philosophical history of China, the book explores the Chinese view of the world, and reveals the extent to which this is inextricably intertwined with the ancient concept of the courtyard, a place and a way of life which, it appears, has been almost entirely overlooked in China since the middle of the 20th century, and in the West for centuries. Along the way, it provides an accessible introduction to the Confucian idea of zhongyong ('the Middle Way'), the Chinese moral universe and the virtuous good life in the absence of an awesome God, and shows how these can only be fully understood through the humble courtyard – a space which is grounded in...

Taking Edgar Allan Poe's 1841 "The Murders in the Rue Morgue" as an inaugural frame, Andrea Goulet traces shifting representations of violence, space, and nation in French crime fiction from serial novels of the 1860s to cyberpunk fictions today. She argues that the history of spatial sciences—geology, paleontology, cartography—helps elucidate the genre's fundamental tensions: between brutal murder and pure reason; historical past and reconstructive present; national identity and global networks. As the sciences underlying her analysis make extensive use of strata and grids, Goulet employs vertical and horizontal axes to orient and inform her close readings of crime novels. Vertically, crimes that take place underground subvert above-ground modernization, and national traumas of the past haunt present criminal spaces. Horizontally, abstract crime scene maps grapple with the sociological realities of crime, while postmodern networks of international data trafficking extend colonial anxieties of the French nation. Crime gangs in the catacombs of 1860s Paris. Dirt-digging detectives in coastal caves at the fin-de-siècle. Schizoid cartographers in global cyberspace. Crime...

Is there any way to talk theologically about the Trinity and place? What might the 'placedness' of creation have to do with God's triunity? In The Place of the Spirit, Sarah Morice-Brubaker considers how anxieties about place have influenced Trinitarian theology - both what it is asked to do and the language in which it is expressed. When one is nervous about collapsing God into created horizons, she suggests, one is apt to come up with a model of Trinity that refuses place. Distance becomes a primary way of situating the divine persons in relations to each other. Conversely, theologians who wish to avoid a too-remote God likewise recruit Trinitarian language to suit that purpose. They, too, use language that encourages the importance of place, expressing triunity in terms of coinherence and mutual indwelling. And yet, suggests Morice- Brubaker, the question has received full-on attention in other areas of ethics, philosophy, and systematic theology. The Place of the Spirit calls for Trinitarian thought to avail itself of those insights and offers some ways in which it may do so.

An introduction to human geography provides a global overview of the major topics within human geography, including resources, population, the economy and development, geopolitics and territory, culture, society, cities, the environment and environmentalism, inequality, agriculture and rurality, and the politics of place and globalisation. Coherent and substantial chapters ensure balanced treatment across the range of contemporary human geography. Focusing on key geographical challenges facing the world at the beginning of the twenty-first century, stimulating coverage examines the forces that shape economics and societies.

In the summer of 2005, distinguished geographer Yi-Fu Tuan ventured to China to speak at an international architectural conference, returning for the first time to the place he had left as a child sixty-four years before. He traveled from Beijing to Shanghai, addressing college audiences, floating down the Yangtze River on a riverboat, and visiting his former home in Chongqing. In this enchanting volume, Tuan’s childhood memories and musings on the places encountered during this homecoming are interspersed with new lectures, engaging overarching principles of human geography as well as the changing Chinese landscape. Throughout, Tuan’s interactions with his hosts, with his colleague’s children, and even with a garrulous tour guide, offer insights into one who has spent his life studying place, culture, and self. At the beginning of his trip, Tuan wondered if he would be a stranger among people who looked like him. By its end, he reevaluates his own self-definition as a hyphenated American and sheds new light on human identity’s complex roots in history, geography, and language. Yi-Fu Tuan is author of Cosmos and Hearth, Dear Colleague, and Space and Place, all from...

The Chinese earth is pervasively humanized through long occupation. Signs of man's presence vary from the obvious to the extremely subtle. The building of roads, bridges, dams, and factories, and the consolidation of farm holdings alter the Chinese landscape and these alterations seem all the more conspicuous because they introduce features that are not distinctively Chinese. In contrast, traditional forms and architectural relics escape our attention because they are so identified with the Chinese scene that they appear to be almost outgrowths of nature. Describing the natural order of human beings in the context of the Chinese earth and civilization, A Historical Geography of China narrates the evolution of the Chinese landscape from prehistoric times to the present. Tuan views landscape as a visible expression of man's efforts to gain a living and achieve a measure of stability in the constant flux of nature. The book ranges the period of time from Peking man to the epoch of Mao Tse-tung. It moves through the ancient and modern dynasties, the warlords and conquests, earthquakes, devastating floods, climatic reversals, and staggering civil wars to the impact of Western...

This book is about the love and hate relations that humans establish with their habitat, which have been coined by discerning modern thinkers as topophilia and topophobia. Whilst such affiliations with the topos, our manmade as well as natural habitat, have been traced back to antiquity, a wide range of twentieth-century cases are studied here and reflected upon by dwelling on this framework. The book provides a timely reminder that the qualitative aspects of the topos, sensual as well as intellectual, should not be disregarded in the face of rapid technological development and the mass of building that has occurred since the turn of the millennium. Topophilia and Topophobia offers speculative and historical reflections on the human habitat of the century that has just passed, authored by some of the world’s leading scholars and architects, including Joseph Rykwert, Yi-Fu Tuan, Vittorio Gregotti and Jean-Louis Cohen. Human habitats, ranging broadly from the cities of the twentieth century, highbrow modern architecture both in Western countries and in Asia, to non-architect/planner designed vernacular settlements and landscapes are reviewed under the themes of topophilia and...

To be human is to experience fear, but what is it exactly that makes us fearful? Landscapes of Fear—written immediately after his classic Space and Place—is renowned geographer Yi-Fu Tuan’s influential exploration of the spaces of fear and of how these landscapes shift during our lives and vary throughout history. In a series of linked essays that journey broadly across place, time, and cultures, Tuan examines the diverse manifestations and causes of fear in individuals and societies: he describes the horror created by epidemic disease and supernatural visions of witches and ghosts; violence and fear in the country and the city; fears of drought, flood, famine, and disease; and the ways in which authorities devise landscapes of terror to instill fear and subservience in their own populations. In this groundbreaking work—now with a new preface by the author—Yi-Fu Tuan reaches back into our prehistory to discover what is universal and what is particular in our inheritance of fear. Tuan emphasizes that human fear is a constant; it causes us to draw what he calls our “circles of safety” and at the same time acts as a foundational impetus behind curiosity, growth, and...

This important book demonstrates why geography matters in the modern-day world through its examination of 100 moments throughout history that had a significant impact on the study of geography—literally, "writing about the earth." • Provides readers with an understanding of why geography matters to our 21st-century world and an awareness of how geography affects our everyday lives and is key to wise decision making • Addresses and explains key themes of geography, including scale, physical processes, cultural processes, patterns, relationships, models, and trends • Integrates time, space, and place in geography, documenting how it is not only the study of spatial patterns, but also the fact that many discoveries in geography came about because of the particular time and place in which the discoverers lived

Using the body as an axis for geographical theory, this book argues that communication empowers self to constantly transcend its physical limits. It urges complete review of personal borders in space and time based on symbols, signs and signals that redefine ties to the tangible world, i.e., "Dear John" letters, layout of furniture in rooms, or chronic illness. Paul C. Adams shows how vehicular transit has altered traditional modalities like walking or biking while navigation of space and virtual space has led to "boundary blurring." He covers transforming moments in communication from the rise of writing to invention of the printing press, telephone, and electronic media. To better understand human geography, he also plumbs the relation of space and time to notions of romance, identity, and meaning. Citing geographers throughout the ages and the effects of mercantile, industrial, and current global economies, The Boundless Self is sure to provoke thought and theory among geographers, communicators, and scholars alike.

The Chinese earth is pervasively humanized through long occupation. Signs of man's presence vary from the obvious to the extremely subtle. The building of roads, bridges, dams, and factories, and the consolidation of farm holdings alter the Chinese landscape and these alterations seem all the more conspicuous because they introduce features that are not distinctively Chinese. In contrast, traditional forms and architectural relics escape our attention because they are so identified with the Chinese scene that they appear to be almost outgrowths of nature. Describing the natural order of human beings in the context of the Chinese earth and civilization, A Historical Geography of China narrates the evolution of the Chinese landscape from prehistoric times to the present. Tuan views landscape as a visible expression of man's efforts to gain a living and achieve a measure of stability in the constant flux of nature. The book ranges the period of time from Peking man to the epoch of Mao Tse-tung. It moves through the ancient and modern dynasties, the warlords and conquests, earthquakes, devastating floods, climatic reversals, and staggering civil wars to the impact of Western...

"What do place, art, and self have in common? To what extent do place and art define who we are?" In Place, Art, and Self, the renowned humanistic geographer Yi-Fu Tuan tackles this large question in a small, accessible, beautifully illustrated book. Through memoir and the insights gained from a peripatetic life as an international scholar, Tuan explores the idea of attachment through place and art and the role of attachment in shaping, defining, and expanding the self. Inasmuch as a place contains sources of "nurture and identity," Tuan writes, so, too, does a painting, photograph, poem, novel, motion picture, dance, or piece of music. "The arts are likewise emblematic and revelatory. The ones I strongly like and dislike expose me, make me feel naked before the public eye, which is why I am guarded in my confessions." Drawing from a lifetime spent thinking and writing about the connection between geography and our spiritual needs, Tuan presents a compelling and meditative foray into how place, home, and homelessness condition us as humans. Complementing his essay is a gallery of fine-art black-and-white and color plates by four emerging contemporary photographers, whose work...

Under the cultural turn and transformation the new intellectual discourses started in the 21st century to search the roots, have cross-cultural comparison and to see how the old traditions be used in the contemporary worldviews. This book is the first attempt dealing with roots of Indian geographical thoughts since its beginning in 1920. It emphasises identity of India and Indianness and consciousness among dweller geographers in India, development and status of geography and its recent trends, Gaia theory and Indian context in search of cosmic integrity, ecospirituality and global message towards interrelatedness, Hindu pilgrimages and its contemporary importance, Mahatma Gandhi and his contribution to sustainable environmental development for global peace and humanism, and new vision to see meeting grounds of the East and the West on the line of reconstruction and reconciliation in the globalising world. These essays are selective and thematic, therefore overall view of comprehensiveness is lacking. But this book is not the end; obviously it is a beginning as already other volumes in sequence and continuity are in progress. At the end, the lead essays, representative of the...