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The Making of Chicana/o Studies traces the philosophy and historical development of the field of Chicana/o studies from precursor movements to the Civil Rights era to today, focusing its lens on the political machinations in higher education that sought to destroy the discipline. As a renowned leader, activist, scholar, and founding member of the movement to establish this curriculum in the California State University system, which serves as a model for the rest of the country, Rodolfo F. Acuña has, for more than forty years, battled the trend in academia to deprive this group of its academic presence. The book assesses the development of Chicana/o studies (an area of studies that has even more value today than at its inception)--myths about its epistemological foundations have remained uncontested. Acuña sets the record straight, challenging those in the academy who would fold the discipline into Latino studies, shadow it under the dubious umbrella of ethnic studies, or eliminate it altogether. Building the largest Chicana/o studies program in the nation was no easy feat, especially in an atmosphere of academic contention. In this remarkable account, Acuña reveals how...

"This is a rich and learned volume that has a story to tell to those seeking to understand contemporary Southern California."—David Johnson, managing editor of the Pacific Historical Review "Engagingly written and well researched, California Vieja is an intriguing, persuasive examination of the politics of memory and the built environment in southern California."—Vicki Ruiz, author of From Out of the Shadows: Mexican Women in Twentieth-Century America

This is a unique and groundbreaking collection of questions and answers coming from higher education institutions on diverse fields and across a wide spectrum of countries and cultures. It creates routes for further innovation, collaboration amidst the Sciences (both Natural and Social) and the Humanities and the private and the public sectors of society. The chapters speak across socio-cultural concerns, education, welfare and artistic sectors under the common desire for direct responses in more effective ways by means of interaction across societal structures.

"John Laslett's Sunshine Was Never Enough is an extraordinary work of historical synthesis and interpretation, which brings to more than a century of labor history in Los Angeles the insights of a new generation of social, labor, and political historians. Laslett is highly sensitive to questions of race, gender, immigration, conservative politics, left-wing movements, and political economy, all essential in any contemporary effort to chart the history of the working class, past or present." --Nelson Lichtenstein, MacArthur Foundation Chair in History, University of California, Santa Barbara "John Laslett's comprehensive overview of the labor history of Los Angeles is a long-awaited contribution. The narrative of Sunshine Was Never Enough begins in the late nineteenth century, when the city was in its infancy, and tracks developments over an arc ending in the early twenty-first century, by which time Los Angeles had become the nation's second largest metropolis and a rare beacon of hope for the U.S. labor movement. For too long, southern California was seen as a remote backwater. With this engaging volume, L.A. labor and the scholarship on it that has burgeoned in recent years...

The Power of Ethnic Places discusses the growing visibility of ethnic heritage places in U.S. society. The book examines a spectrum of case studies of Chinese, Latino and African American communities in the U.S., disagreeing with any perceptions that the rise of ethnic enclaves and heritage places are harbingers of separatism or balkanization. Instead, the text argues that by better understanding the power and dynamics of ethnic enclaves and heritage places in our society, we as a society will be better prepared to harness the economic and cultural changes related to globalization rather than be hurt or divided by these same forces of economic and cultural restructuring.

The ideal travel companion, full of insider advice on what to see and do, plus detailed itineraries and comprehensive maps for exploring this vast and diverse state. Tour a winery in Napa, hike to the waterfalls in Yosemite National Park or ride a classic cable car in San Francisco: everything you need to know is clearly laid out within colour-coded chapters. Discover the best of California with this indispensable travel guide. Inside DK Eyewitness Travel Guide California: - Over 75 colour maps help you navigate with ease - Simple layout makes it easy to find the information you need - Comprehensive tours and itineraries of California, designed for every interest and budget - Illustrations and floorplans show the inside of icons such as the Getty Museum in Los Angeles and the California Academy of Sciences in San Francisco, and more - Colour photographs of California's cities, valleys, deserts, forest, vineyards and national parks - Historical and cultural context gives you a richer travel experience: learn about history, festivals and traditions - Detailed chapters, with area maps, cover Los Angeles; South Central California; Orange County; San Diego County; the Inland Empire and ...

The extraordinary Watts Towers were created over the course of three decades by a determined, single-minded artist, Sabato Rodia, a highly remarkable Italian immigrant laborer who wanted to do “something big.” Now a National Historic Landmark and internationally renowned destination, the Watts Towers in Los Angeles are both a personal artistic expression and a collective symbol of Nuestro Pueblo—Our Town/Our People. Featuring fresh and innovative examinations that mine deeper and broader than ever before, Sabato Rodia’s Towers in Watts is a much anticipated revisitation of the man and his towers. In 1919, Sabato Rodia purchased a triangular plot of land in a multiethnic, working-class, semi-rural district. He set to work on an unusual building project in his own yard. By night, Rodia dreamed and excogitated, and by day he built. He experimented with form, color, texture, cement mixtures, and construction techniques. He built, tore down, and re-built. As an artist completely possessed by his work, he was often derided as an incomprehensible crazy man. Providing a multifaceted, holistic understanding of Rodia, the towers, and the cultural/social/physical environment within...

In the early decades of the twentieth-century, Main Street was the heart of Los Angeles’s Mexican immigrant community. It was also the hub for an extensive, largely forgotten film culture that thrived in L.A. during the early days of Hollywood. Drawing from rare archives, including the city’s Spanish-language newspapers, Colin Gunckel vividly demonstrates how this immigrant community pioneered a practice of transnational media convergence, consuming films from Hollywood and Mexico, while also producing fan publications, fiction, criticism, music, and live theatrical events. Mexico on Main Street locates this film culture at the center of a series of key debates concerning national identity, ethnicity, class, and the role of Mexicans within Hollywood before World War II. As Gunckel shows, the immigrant community’s cultural elite tried to rally the working-class population toward the cause of Mexican nationalism, while Hollywood sought to position them as part of a lucrative transnational Latin American market. Yet ironically, both Hollywood studios and Mexican American cultural elites used the media to present negative depictions of working-class Mexicans, portraying their...

California’s early history was both colorful and turbulent. After Europeans first explored the region in the sixteenth century, it was conquered and colonized by successive waves of adventurers and settlers. In Contest for California, award-winning author Stephen G. Hyslop draws on a wide array of primary sources to weave an elegant narrative of this epic struggle for control of the territory that many saw as a beautiful, sprawling land of promise. In vivid detail, Hyslop traces the story of early California from its founding in 1769 by Spanish colonists to its annexation in 1848 by the United States. He describes the motivations and activities of colonizers and colonized alike. Using eyewitness accounts, he allows all participants—Native American, Spanish, Mexican, and Anglo-American—to have their say. Soldiers, settlers, missionaries, and merchants testify to the heroic and commonplace, the colorful and tragic, in California’s pre-American history. Even as he acknowledges the dark side of this story, Hyslop avoids a simplistic perspective. Moving beyond the polarities that have marked late-twentieth-century California historiography, he offers nuanced portraits of such...

In 1941 a young couple met and fell in love; but one of them was considered Black while the other was considered White. Laws against intermarriage between races had been upheld by every court in the United States since Reconstruction, after the Civil War. Andrea and Sylvester - a Mexican-American woman and an African-American man - challenged these laws and won, and their success inspired changes that ended that taboo. When same-sex marriage became a pressing issue, their case was the precedent that first persuaded the courts to allow it. Thus Andrea and Sylvester can be credited with successfully challenging a second marriage taboo. Dodge sets the scene for their personal drama and traces how their example helped establish the momentum toward more liberal marriage laws throughout the United States, culminating with the 2015 Supreme Court's decision to allow same-sex marriage. This is the story of a couple that has received too little attention for the impact they have had on society and law. Andrea, a Mexican girl, met Sylvester, a Black man, working on an assembly line during World War Two. Both were second-generation Los Angeles residents who suffered from discrimination in a...

The town hall or city hall as a place of local governance is historically related to the founding of cities in medieval Europe. As the space of representative civic authority it aimed to set the terms of public space and engagement with the citizenry. In subsequent centuries, as the idea and built form travelled beyond Europe to become an established institution across the globe, the parameters of civic representation changed and the town hall was forced to negotiate new notions of urbanism and public space. City Halls and Civic Materialism: Towards a Global History of Urban Public Space utilizes the town hall in its global historical incarnations as bases to probe these changing ideas of urban public space. The essays in this volume provide an analysis of the architecture, iconography, and spatial relations that constitute the town hall to explore its historical ability to accommodate the "public" in different political and social contexts, in Europe, Asia, Australia, Africa and the Americas, as the relation between citizens and civic authority had to be revisited with the universal franchise, under fascism, after the devastation of the world wars, decolonization, and most...

Mexicans and other Latinos comprise fifty percent of the population of Los Angeles and are the largest ethnic group in California. In this completely revised and updated edition of a classic political and social history, one of the foremost scholars of the Latino experience situates the US's largest immigrant community in a time of anti-immigrant fervor. Originally published in 1996, this edition analyses the rise and rule of LA's first-ever Mexican American mayor, Antonio Villaraigosa, as well as the harsh pressures facing Chicanos in an increasingly unequal and gentrifying city.

In 1980, the celebrated new wave band Blondie headed to Los Angeles to record a new album and along with it, the cover song “The Tide Is High,” originally written by Jamaican legend John Holt. Featuring percussion by Peruvian drummer and veteran LA session musician “Alex” Acuña, and with horns and violins that were pure LA mariachi by way of Mexico, “The Tide Is High” demonstrates just one of the ways in which Los Angeles and the music of Latin America have been intertwined since the birth of the city in the eighteenth century. The Tide Was Always High gathers together essays, interviews, and analysis from leading academics, artists, journalists, and iconic Latin American musicians to explore the vibrant connections between Los Angeles and Latin America. Published in conjunction with the Getty's Pacific Standard Time: LA/LA, the book shows how Latin American musicians and music have helped shape the city’s culture—from Hollywood film sets to recording studios, from vaudeville theaters to Sunset Strip nightclubs, and from Carmen Miranda to Pérez Prado and Juan García Esquivel.

From medicine shows to the Internet, from the Los Angeles Plaza to the Las Vegas Strip, from the commemoration of the Oklahoma City bombing to television programming after 9/11, scholars examine issues of democracy, diversity, identity, community, citizenship, and belonging through the lens of American popular culture.

Young Black Americans have been trying to realize the promise of the American Dream for centuries and coping with the reality of its limitations for just as long. Now, a new generation is pursuing success, happiness, and freedom -- on their own terms. In It Was All a Dream, Reniqua Allen tells the stories of Black millennials searching for a better future in spite of racist policies that have closed off traditional versions of success. Many watched their parents and grandparents play by the rules, only to sink deeper and deeper into debt. They witnessed their elders fight to escape cycles of oppression for more promising prospects, largely to no avail. Today, in this post-Obama era, they face a critical turning point. Interweaving her own experience with those of young Black Americans in cities and towns from New York to Los Angeles and Bluefield, West Virginia to Chicago, Allen shares surprising stories of hope and ingenuity. Instead of accepting downward mobility, Black millennials are flipping the script and rejecting White America's standards. Whether it means moving away from cities and heading South, hustling in the entertainment industry, challenging ideas about gender and...

Every city has its urban legends, its tall tales, and even its outright lies, and Hollywood and Los Angeles have enough to fill a book--and Paul Young has done just that. L.A. Exposed includes the facts behind the myths surrounding everything from the tall tales of tinsel town, to the legend and lore of LA landmarks, to rock n' roll rumors, to Southern California's unnatural history, to the city's crime lore, to tales of corruption and conspiracy in the land of sunshine and health; LA Exposed dares to ask the hard questions. Does L.A. really have earthquake weather? Did Alfred Hitchcock ask Grace Kelly to do a strip teast in her front window? Is there treasure buried in the Watts Towers? Are there still opium dens in Chinatown? Was Barbara Streisand ever in a porn film? Young gives readers the lowdown on the city's most enduring myths, exploring their origins, and whether there is an ounce of truth to any of them. L.A. Exposed, inventive, witty, and addictive, is sure to be a hit in L.A. and beyond.

Exploring three major hubs of muralist activity in California, where indigenist imagery is prevalent, Walls of Empowerment celebrates an aesthetic that seeks to firmly establish Chicana/o sociopolitical identity in U.S. territory. Providing readers with a history and genealogy of key muralists' productions, Guisela Latorre also showcases new material and original research on works and artists never before examined in print. An art form often associated with male creative endeavors, muralism in fact reflects significant contributions by Chicana artists. Encompassing these and other aspects of contemporary dialogues, including the often tense relationship between graffiti and muralism, Walls of Empowerment is a comprehensive study that, unlike many previous endeavors, does not privilege non-public Latina/o art. In addition, Latorre introduces readers to the role of new media, including performance, sculpture, and digital technology, in shaping the muralist's "canvas." Drawing on nearly a decade of fieldwork, this timely endeavor highlights the ways in which California's Mexican American communities have used images of indigenous peoples to raise awareness of the region's original...

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.

"Illustrated in color throughout, The California Missions: History, Art, and Preservation combines engaging text with historical paintings, archival photographs, and recent photography to create a vivid chronicle of these iconic institutions. The narrative recounts their founding and early history, surveys mission art and architecture, and examines their role in shaping the history and culture of California. A final chapter discusses recent advances in preserving the mission heritage for future generations. The second part of the book provides concise historical profiles for each of the twenty-one missions." --Book Jacket.

City plazas worldwide are centers of cultural expression and artistic display. They are settings for everyday urban life where daily interactions, economic exchanges, and informal conversations occur, thereby creating a socially meaningful place at the core of a city. At the heart of historic Los Angeles, the Plaza represents a quintessential public space where real and imagined narratives overlap and provide as many questions as answers about the development of the city and what it means to be an Angeleno. The author, a social and cultural historian who specializes in nineteenth- and early twentieth-century Los Angeles, is well suited to explore the complex history and modern-day relevance of the Los Angeles Plaza. From its indigenous and colonial origins to the present day, Estrada explores the subject from an interdisciplinary and multiethnic perspective, delving into the pages of local newspapers, diaries and letters, and the personal memories of former and present Plaza residents, in order to examine the spatial and social dimensions of the Plaza over an extended period of time. The author contributes to the growing historiography of Los Angeles by providing a groundbreaking...

Olvera Street Mexican marketplace and its plaza form the home of Latino culture in the Los Angeles region. Still standing in this downtown location of many fiestas, including Cinco de Mayo, are the Avila Adobe, plaza church-- La Iglesia de Nuestra Se±ora La Reina de Los Angeles, Pico House, Sepulveda House, and L.A. Firehouse No. 1. El Pueblo de La Reina de Los Angeles was founded in 1781. The 1820sbuilt plaza was ruled for decades by the magnanimous Judge Agust­n Olvera. Wine Street was renamed in his honor after his 1876 death and took on a back-alley toughness depicted in early Hollywood films. In the 1920s, Christine Sterling campaigned to save the Avila Adobe from demolition and transform Olvera Street into an internationally recognized tourist destination, which opened in 1930. Today the old plaza and Olvera Street shops, restaurants, museums, and vendors draw 1 million people annually under the auspices of El Pueblo de Los Angeles Historical Monument.

A collection of papers presented at the Robert Gordon University Heritage Convention 1998, on the subject of heritage. Topics covered include: Jamaica's musical heritage; the Aberdeen Maritime Museum; the pilgrimage to Santiago de Compostela; and the spirit and identity of Cracow.

In a sweeping synthesis of American history, Mary Ryan demonstrates how the meaning of male and female has evolved, changed, and varied over a span of 500 years and across major social and ethnic boundaries. She traces how, at select moments in history, perceptions of sex difference were translated into complex and mutable patterns for differentiating women and men. How those distinctions were drawn and redrawn affected the course of American history more generally. Ryan recounts the construction of a modern gender regime that sharply divided male from female and created modes of exclusion and inequity. The divide between male and female blurred in the twentieth century, as women entered the public domain, massed in the labor force, and revolutionized private life. This transformation in gender history serves as a backdrop for seven chronological chapters, each of which presents a different problem in American history as a quandary of sex. Ryan's bold analysis raises the possibility that perhaps, if understood in their variety and mutability, the differences of sex might lose the sting of inequality.

A unique panoramic survey of ethnic groups throughout the United States that explores the diverse communities in every region, state, and big city. • Provides educators and researchers with a useful guide to the diverse ethnic and racial minorities of the United States that describes their geographic location and their local community life • Serves journalists and scholars needing quick, convenient access to accurate information for research on places like San Francisco's Chinatown or Little Italy in Manhattan • Presents statistics based on the U. S. Census of ethnic and racial diversity in each state

The DK Eyewitness California Travel Guide is your indispensable guide to this beautiful part of the world. The fully updated guide includes unique cutaways, floorplans and reconstructions of the must-see sites, plus street-by-street maps of all the fascinating cities and towns. The new-look guide is also packed with photographs and illustrations leading you straight to the best attractions on offer. The uniquely visual DK Eyewitness Travel guide will help you to discover everything region-by-region; from local festivals and markets to day trips around the countryside. Detailed listings will guide you to the best hotels, restaurants, bars and shops for all budgets, whilst detailed practical information will help you to get around, whether by train, bus or car. Plus, DK's excellent insider tips and essential local information will help you explore every corner of California effortlessly. DK Eyewitness California Travel Guide - showing you what others only tell you. Now available in PDF format.

This title was first published in 2001. A collection of 14 essays concerned with the historical relationship between social identity and urban social history. The volume deals with the ways in which urban spaces have been shaped historically by conflicts over access and use, and how the identities of social groups have themselves been forged in those conflicts.

From one of our most astute contemporary writers, Amy Wilentz, comes an irreverent, inventive portrait of the state of California and its unlikely governor, Arnold Schwarzenegger. The prizewinning author, a lifelong easterner and an outsider in the West, takes the reader on a picaresque journey from exclusive Hollywood soirees to a fantasy city in the Mojave desert, from the La Brea Tar Pits to celebrity-besotted Sacramento, from the tents of Skid Row to surf-drunk Malibu, from a snowbird retreat near Mexico to the hippie preserve of tide-beaten Big Sur, along the way offering up sharp observations on politics, fund-raising, the water supply, the Beach Boys, earthquake preparedness, home economics, catastrophism, movie-star politicians, political movie stars, Charlie Manson, and location scouts who want to rent your house in order to make television commercials for bathroom wall cleansers or Swedish banks. Wilentz moved to Los Angeles from a Manhattan wounded by September 11, only to discover a paradise marred by fire, flood, and mudslides. In what seemed like a joke to her, a Democratic governor nicknamed Gumby was about to be ousted by an Austrian muscleman in a bizarre election ...

In the 1960s, a group of Los Angeles artists fashioned a body of work that has come to be known as the “LA Look” or West Coast Minimalism. Its distinct aesthetic is characterized by clean lines, simple shapes, and pristine reflective or translucent surfaces, and often by the use of bright, seductive colors. While the role of materials and processes in the advent of these truly indigenous Los Angeles art forms has often been commented on, it has never been studied in depth — until now. Made in Los Angeles focuses on four pioneers of West Coast Minimalism — Larry Bell, Robert Irwin, Craig Kauffman, and John McCracken — whose working methods, often borrowed from other industries, featured the use of synthetic paints and resins as well as industrial processes to create objects that are both painting and sculpture. Bell, for example, coated plate glass with films of material that alter the way the light is absorbed, reflected, and transmitted, while Kauffman employed a process usually reserved for commercial signs for his work. McCracken coated plywood with fiberglass then spray painted it with countless layers of automotive paints, and Irwin spray-painted discs of hammered...

Walter P. Temple grew up in the San Gabriel Valley of Southern California. His father was the founder of Temple City, and his ancestors on both sides were members of the valley's First Families, dating back to 1841. As a boy, he experienced life on a rancho, witnessed the genesis of California's oil fields, and appreciated the natural glory of the valley's hillsides. By the time Walter reached his sixties, he saw that this beautiful valley was changing and prospering, and familiar buildings that had been an integral part of his early heritage were being razed in the path of city development. He knew that if future generations were to value the history of the area, such landmarks must somehow be preserved. He began to record them in sketches, watercolors and oils as gifts to share with those who might appreciate them. Gentle Artist is a collection of those artworks and related family photographs, lovingly presented by Walter's daughter, Josette

Chicanismo, the idea of what it means to be Chicano, was born in the 1970s, when grassroots activists, academics, and artists joined forces in the civil rights movimiento that spread new ideas about Mexican American history and identity. The community murals those artists painted in the barrios of East Los Angeles were a powerful part of that cultural vitality, and these artworks have been an important feature of LA culture ever since. This book offers detailed analyses of individual East LA murals, sets them in social context, and explains how they were produced. The authors, leading experts on mural art, use a distinctive methodology, analyzing the art from aesthetic, political, and cultural perspectives to show how murals and graffiti reflected and influenced the Chicano civil rights movement. This publication is made possible in part by a generous contribution from Furthermore, a program of the J. M. Kaplan Fund.

The real story--and human price--of US/Mexico border enforcement.

Known as "the bible" to Los Angeles architecture scholars and enthusiasts, Robert Winter and David Gebhard's groundbreaking guide to architecture in the greater Los Angeles area is updated and revised once again. From Art Deco to Beaux-Arts, Spanish Colonial to Mission Revival, Winter discusses an impressive variety of architectural styles in this popular guide that he co-authored with the late David Gebhard. New buildings and sites have been added, along with all new photography. Considered the most thorough L.A. architecture guide ever written, this new edition features the best of the past and present, from Charles and Henry Greene's Gamble House to Frank Gehry's Disney Philharmonic Hall. This was, and is again, a must-have guide to a diverse and architecturally rich area. Robert Winter is a recognized architectural historian who lives in Los Angeles, and has led architectural tours through the Los Angeles area since 1965. He is a professor at Occidental College in Los Angeles.