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A fifty-line fragment by the poet Stesichorus of Sicily (c. 640-555 B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. The fabulous beauty of Helen of Troy is legendary. But some say that Helen was never in Troy, that she had been conveyed by Zeus to Egypt, and that Greeks and Trojans alike fought for an illusion. A fifty-line fragment by the poet Stesichorus of Sicily (c. 640-555 B.C.), what survives of his Pallinode, tells us almost all we know of this other Helen, and from it H. D. wove her book-length poem. Yet Helen in Egypt is not a simple retelling of the Egyptian legend but a recreation of the many myths surrounding Helen, Paris, Achilles, Theseus, and other figures of Greek tradition, fused with the mysteries of Egyptian hermeticism.

Gathers poems from each period of Hilda Doolittle's career and includes background information on her major works

This late collection, written in the last years of H.D.'s life, is a testament to the fine ear and mythic sense of a poet who is now recognized as one of the greatest of her generation. H. D.’s (Hilda Doolittle, 1884-1961) late poems of search and longing represent the mature achievement of a poet who has come increasingly to be recognized as one of the most important of her generation. The title poem and other long pieces in this collection ("Sagesse" and "Winter Love") were written between 1957 and her death four years later, and are heretofore unpublished, except in fragments. We can see now in proper context her fine ear for the free line, and understand why other poets, such as Denise Levertov, Robert Creeley, and Robert Duncan, find so much to admire in H. D.’s work. As in her earlier books, one level of H.D.’s significant poetic statement derives from her intimate knowledge of and identification with classical Greek and arcane cultures; taken together, these elements make up the poet’s own personal myth. Norman Holmes Pearson, H. D’s friend and literary executor, has contributed an illuminating foreword to this impressive collection. H. D.’s (Hilda Doolittle,...

Hymen by H. D. - Hilda Doolittle- Hilda Doolittle - CLASSIC POETRY - Hilda "H.D." Doolittle (September 10, 1886 - September 27, 1961) was an American poet, novelist, and memoirist known for her association with the early 20th century avant-garde Imagist group of poets such as Ezra Pound and Richard Aldington. She published under the pen name of H.D. H.D. was born in Bethlehem, Pennsylvania, in 1886 and moved to London in 1911, where her publications earned her a central role within the then emerging Imagist movement. A charismatic figure, she was championed by the modernist poet Ezra Pound, who was instrumental in building and furthering her career. From 1916-17, she acted as the literary editor of the Egoist journal, while her poetry appeared in the English Review and the Transatlantic Review. During the First World War, H.D. suffered the death of her brother and the breakup of her marriage to the poet Richard Aldington, and these events weighed heavily on her later poetry. Glenn Hughes, an authority on Imagism, wrote that 'her loneliness cries out from her poems'. She had a deep interest in Ancient Greek literature, and her poetry often borrowed from Greek mythology and...

Written by Hilda Dolittle, this set of three poems--including The Walls Do Not Fall, Tribute to the Angels, and The Flowering of the Rod--emphasizes the horrors of war and the passion for survival that it inspires. Reprint.

H.D.'s Nights is about one woman's attempt to get to the essence of her bisexuality and failed marriage through an illicit heterosexual affair--an attempt that eventually ends in suicide. Much like a mystery novel, we are given the clues to the writer Natalia Saunderson's death: a muff and watch left beside a frozen pond and two parallel skating lines that meet. Following her drowning, Natalia's manuscripts, a kind of experimental diary, are delivered to a publisher friend, and they provide the details which lay bare the often painful story. Publisher's note.

This novel, a never before published Roman a clef by the famous imagist writer, H.D. (Hilda Doolittle), that explores H.D.'s love for women, is a lyrical recreation of the love and loss of her friend and first love, Frances Gregg, and of her later meeting with Bryher who was to become H.D.'s lifelong companion. Spanning the years from H.D.'s childhood in Pennsylvania to the birth of her daughter, Perdita, in 1919, this turbulent love story is set against the backdrop of World War I, H.D.'s involvement in early 20th century London literary circles, her brief engagement to American poet, Ezra Pound, and her shattered marriage to British novelist Richard Aldington. Paint it Today is H.D.'s most lesbian novel, a modern, homoerotic tale of passage which focuses almost entirely on the young heroine's search for the sister love which would empower her spiritually, creatively, and sexually. Cassandra Laity's introduction places H.D.'s love for the sexually magnetic, betraying Gregg and for the more nurturing and loyal Bryher in the context of the lesbian romanticism of early modern fiction. her annotations of all Greek references and literary quotations,m as well as, biographical facts...

Hermione Gart, a young American newly arrived in Europe, begins to test for the first time the limits of her sexual and artistic identities

As from a temple service, tall and dignified, with slow pace, each a queen, the sixteen matrons from the temple of Hera pass before the curtain--a dark purple hung between Ionic columns--of the porch or open hall of a palace. Their hair is bound as the marble hair of the temple Hera. Each wears a crown or diadem of gold.

These two long stories by modernist master H.D. paint the wreckage of post-World War I Europe--both human and civilizational--in bright, vivid detail.

A Moravian Childhood in Bethlehem -- Hilda and Ezra in Pennsylvania -- E.P. and H.D. in London -- "Priapus" and "Hermes" -- Hawk as Hawk and Hawk as Persona -- A Feminist Stance -- The Secret Doctrine of the Image -- "Orion Dead": The Logic of Imagism -- Imagism and Moravianism -- The Center of the Circle: H.D. as Poet and Muse -- The Sacrifice of Iphigeneia -- The War Poems -- Poetry of Rural England -- In the Gloire -- Tracks in the Sand -- Tenderness -- The Paternity of the Child -- "Pilate's Wife" -- The Escaped Cock -- The Ankh and the Cross -- The Priestess of Isis -- "Notes on Thought and Vision" -- The Man on the Boat -- Writing on the Wall -- The Road to Freud -- The Professor -- To Bryher from Vienna -- D. H. Lawrence Everywhere -- Crossing the Line -- The Wall Do Not Fall -- Tribute to the Angels -- The Flowering of the Rod -- Coming Out -- Helen and Achilles in Egypt -- The Argument of "Pallinode" -- Helen and Paris -- The Spiral Shell and the Spiral Stair -- Theseus and Helen -- The Moon -- "Eidolon" -- Helen and Odysseus.

Sketches an informal portrait of Sigmund Freud as the American poet's analyst, mentor, and friend

H.D.'s 1927 adaptation of Euripides' Hippolytus Temporizes and her 1937 translation of Ion appeared midpoint in her career. These two verse dramas can both be considered as "freely adapted" from plays by Euripides; they constitute a commentary in action, and in this regard resemble W.B. Yeats's Oedipus plays and Ezra Pound's Women of Trachis.

Sea Garden by H. D. - Hilda Doolittle - CLASSIC POETRY - Hilda "H.D." Doolittle (September 10, 1886 - September 27, 1961) was an American poet, novelist, and memoirist known for her association with the early 20th century avant-garde Imagist group of poets such as Ezra Pound and Richard Aldington. She published under the pen name of H.D. H.D. was born in Bethlehem, Pennsylvania, in 1886 and moved to London in 1911, where her publications earned her a central role within the then emerging Imagist movement. A charismatic figure, she was championed by the modernist poet Ezra Pound, who was instrumental in building and furthering her career. From 1916-17, she acted as the literary editor of the Egoist journal, while her poetry appeared in the English Review and the Transatlantic Review. During the First World War, H.D. suffered the death of her brother and the breakup of her marriage to the poet Richard Aldington, and these events weighed heavily on her later poetry. Glenn Hughes, an authority on Imagism, wrote that 'her loneliness cries out from her poems'. She had a deep interest in Ancient Greek literature, and her poetry often borrowed from Greek mythology and classical poets. Her ...

Bridging feminist and cultural studies, the book shows how British and American women poets often operate as cultural insiders. Individual chapters reassess major figures (H.D., Gwendolyn Brooks, Sylvia Plath), alternative modernist poets (Edith Sitwell, Stevie Smith), and contemporary poets (Ai, Carol Ann Duffy).

"Here Euripides stands, in vigorous English versions that fully do him justice. The most modern of the Greek tragedians has found a compelling modern form."--Robert Fagles

Gale Researcher Guide for: Reshaping Crises: H. D. (Hilda Doolittle) is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.

"... a major study of the poetry." -- Sandra M. Gilbert, New York Times Book Review "... the first book-length study to approach H.D. from a feminist perspective.... Psyche Reborn is a valuable book not only for H.D. specialists but also for those interested in twentieth-century intellectual history." -- Cheryl Walker, Signs "... lucid, deeply informed assessment... " -- Joanne Felt Diehl, Tulsa Studies in Women's Literature "Indiana University Press should be heartily commended for promoting Psyche Reborn in paperback, hence making this vital critical work more widely available." -- Lesbian and Gay Studies Newsletter "... a richly documented, polemical, and intelligent study... Friedman's is a splendid and rewarding achievement." -- The Year's Work in English Studies

When a seer shows Pontius Pilate's wife Veronica the "love-god" Jesus, she is amazed by his belief in the importance of women and decides to offer him a way out of his crucifixion.

This volume offers a critical yet empathic exploration of the ancient myth of Medea as immortalized by early Greek and Roman dramatists to showcase the tragic forces afoot when relational suffering remains unresolved in the lives of individuals, families and communities. Medea as a tragic figure, whose sense of isolation and betrayal interferes with her ability to form healthy attachments, reveals the human propensity for violence when the agony of unresolved grief turns to vengeance against those we hold most dear. However, metaphorically, her life story as an emblem for existential crisis serves as a psychological touchstone in the lives of early twentieth-century female authors, who struggled to find their rightful place in the world, to resolve the sorrow of unrequited love and devotion, and to reconcile experiences of societal abandonment and neglect as self-discovery.

Tracing its origins back to Walt Whitman, the Modernist tradition in American poetry is driven by the same concern to engage with the world in revolutionary terms, inspired by the concept of democracy vital to the American dream. But this tradition is not confined to a few writers at the beginning of the century: instead it has been an enduring force, extending from coast to coast and of varying hues: Imagist, Objectivist, Beat. International in flavour but shaped by the language and conditions of America, this poetry continues to speak to us today. This collection of specially commissioned essays brings together leading scholars and critics to define the American Modernist canon, providing a range of perspectives helpful to all those interested in this fascinating poetry.

The social art of a solitary man

"Like every major artist she challenges the reader's intellect and imagination."—Boston Herald Selected Poems, the first selection to encompass the rich diversity of Hilda Doolittle's poetry, is both confirmation and celebration of her long-overdue inclusion in the modernist canon. With both the general reader and the student in mind, editor Louis L. Martz of Yale University (who also edited H.D.'s Collected Poems 1912-1944) has provided generous examples of H.D.'s work. From her early "Imagist" period, through the "lost" poems of the thirties where H.D. discovered her unique creative voice, to the great prophetic poems of the war years combined in Trilogy, the selection triumphantly concludes with portions of the late sequences Helen in Egypt and Hermetic Definition which focus on rebirth, reconciliation, and the reunion of the divided self.

Hilda Doolittle's portrait of Ezra Pound is based upon their brief romance and deep and lasting friendship which began in 1905 when they were both college students

At the heart of this collection of correspondences are the letters of the poet H.D. (1886-1961) to her companion, the novelist Bryher, during the time she underwent psychoanalysis by Sigmund Freud. Friedman (English and women's studies, U. of Wisconsin at Madison) presents the letters as giving an alternative view of Freud's therapeutic style, as well as offering portraits both of late 19th century Vienna and of the literary circle H.D. was part of, which included Havelock Ellis, Kenneth MacPherson, and Ezra Pound. Annotation copyrighted by Book News, Inc., Portland, OR

Essays on women poets and on the relationship between gender and creativity

Signets brings together the best essays of H.D. (Hilda Doolittle). Susan Stanford Friedman and Rachel Blau DuPlessis have gathered the most influential and generative studies of H. D.'s work and complemented them with photobiographical, chronological, and bibliographical portraits unique to this volume. The essays in Signets span H. D.'s career from the origins of Imagism to late modernism, from the early poems of Sea Garden to the novel HER and the epic poems Trilogy and Helen in Egypt. In addition to the editors, the contributors are Diana Collecott, Robert Duncan, Albert Gelpi, Eileen Gregory, Susan Gubar, Barbara Guest, Elizabeth A. Hirsch, Deborah Kelly Kloepfer, Cassandar Laity, Adalaide Morris, Alicia Ostriker, Cyrena N. Pondrom, Perdita Schaffner, and Louis H. Silverstein. Signets is an essential resource for those interested in H. D., modernism, and feminist criticism and writing.

Sea Garden Hymen

Poets have long been defending poetry in prose, and essays by Sidney, Shelley, and others are a familiar and important part of the Anglo-American literary tradition. This book identifies and examines a related genre - the verse defense of poetry - which shares the same impulse that has led to the composition of prose essays: namely, the desire to protect poetry from its detractors and to promote its value as a vital human endeavor. In the last century or so, this impulse to engage questions of poetry's value in poems has become increasingly widespread, and it has dominated the careers of at least five poets: H.D., Wallace Stevens, W. H. Auden, Adrienne Rich, and Geoffrey Hill. Though these poets espouse very different aesthetic principles, they, like many of their contemporaries, have repeatedly turned to apology in their verse. At first glance, this seems an odd gesture, given that the readers and writers of poetry are those who least need convincing of poetry's worthiness. But questioning poetry in verse is a form of lyric introspection that is productive and well-suited for a modern poet. characterized as one of indifference, defense helps these authors make a claim for...

In The American H.D., Annette Debo considers the significance of nation in the artistic vision and life of the modernist writer Hilda Doolittle. Her versatile career stretching from 1906 to 1961, H.D. was a major American writer who spent her adult life abroad; a poet and translator who also wrote experimental novels, short stories, essays, reviews, and a children’s book; a white writer with ties to the Harlem Renaissance; an intellectual who collaborated on avant-garde films and film criticism; and an upper-middle-class woman who refused to follow gender conventions. Her wide-ranging career thus embodies an expansive narrative about the relationship of modernism to the United States and the nuances of the American nation from the Gilded Age to the Cold War. Making extensive use of material in the Beinecke Rare Book and Manuscript Library at Yale—including correspondences, unpublished autobiographical writings, family papers, photographs, and Professor Norman Holmes Pearson’s notes for a planned biography of H.D.—Debo’s American H.D. reveals details about its subject never before published. Adroitly weaving together literary criticism, biography, and cultural history,...

In 1937 William Rose Benet sent a young Yale graduate student, Norman Holmes Pearson, to interview the sophisticated expatriate poet Hilda Doolittle during one of the few trips she made to America after going abroad in 1911. Until her death in 1961, they engaged in a prolonged and wide-ranging relationship vital to H.D.'s development as a writer. Perhaps because she was absent from the American scene, H.D. was eager for more contact with American writing, and Pearson became her literary adviser, agent, executor, confidant, close friend, and self-styled "chevalier". This annotated selection of their more than one thousand letters documents the dynamic between H.D. and Pearson, who became an influential literary critic, and anchors it in the broader literary world. In her letters H.D. confided details about her works in progress, commented on her reading, and gossiped about members of her widespread literary circle. Pearson's responses sparked the conception of specific works and contributed to the form of others; he influenced the cycle of romances that reflected H.D.'s war experience and its parallels in history and, most significantly, was the catalyst for her return to poetry....

The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. • Covers American poetry from the Colonial era to the present in roughly 300 alphabetically arranged entries • Features key contemporary poets, including those appearing in current journals • Brings together approximately 80 contributors who are among the most widely known scholars in the field • Supports Common Core State Standards for English Language Arts and Social Studies by helping students gain a greater understanding of language