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A classic collection of titles from one of the most influentialinvestors of all time: Philip A. Fisher Regarded as one of the pioneers of modern investment theory,Philip A. Fisher's investment principles are studied and used bycontemporary finance professionals including Warren Buffett. Fisherwas the first to consider a stock's worth in terms of potentialgrowth instead of just price trends and absolute value. Hisprinciples espouse identifying long-term growth stocks and theiremerging value as opposed to choosing short-term trades for initialprofit. Now, for the first time ever, Philip Fisher InvestmentClassics brings together four classic titles, written by the manwho is know as the "Father of Growth Investing." Common Stocks and Uncommon Profits was the firstinvesting book to reach the New York Times bestseller list.Outlining a 15-step process for identifying profitable stocks, itis one of the most influential investing books of all time Paths to Wealth Through Common Stocks, expands theinnovative ideas in Fisher's highly regarded Common Stocks andUncommon Profits, and explores how profits have been, and willcontinue to be made, through common stock ownership—assertingwhy this...

Widely respected and admired, Philip Fisher is among the most influential investors of all time. His investment philosophies, introduced almost forty years ago, are not only studied and applied by today's financiers and investors, but are also regarded by many as gospel. This book is invaluable reading and has been since it was first published in 1958. The updated paperback retains the investment wisdom of the original edition and includes the perspectives of the author's son Ken Fisher, an investment guru in his own right in an expanded preface and introduction "I sought out Phil Fisher after reading his Common Stocks and Uncommon Profits...A thorough understanding of the business, obtained by using Phil's techniques...enables one to make intelligent investment commitments." —Warren Buffet

Paths to Wealth through Common Stocks contains one original conceptafter another, each designed to greatly improve the results ofthose who self-manage their investments -- while helping those whorely on professional investment advice select the right advisor fortheir needs. Originally written by investment legend Philip A. Fisher in 1960,this timeless classic is now reintroduced by his well-known andrespected son, successful money manager Ken Fisher, in a newForeword. Filled with in-depth insights and expert advice, Paths to Wealththrough Common Stocks expands upon the innovative ideas foundin Fisher's highly regarded Common Stocks and UncommonProfits -- summarizing how worthwhile profits have been andwill continue to be made through common stock ownership, andrevealing why his method can increase profits while reducing risk.Many of the ideas found here may depart from conventionalinvestment wisdom, but the impressive results produced by theseconcepts -- which are still relevant in today's market environment-- will quickly remind you why Philip Fisher is considered one ofthe greatest investment minds of our time.

The Only Three Questions That Count is the first book to show you how to think about investing for yourself and develop innovative ways to understand and profit from the markets. The only way to consistently beat the markets is by knowing something others don’t know. This book will show you how to do just that by using three simple questions. You’ll see why CNBC’s Mad Money host and money manager James J. Cramer says, "I believe that reading his book may be the single best thing you could do this year to make yourself a better investor. In The Only Three Questions That Count, Ken Fisher challenges the conventional wisdoms of investing, overturns glib theories with hard facts, and blows up complacent beliefs about money and the markets. Ultimately, he says, the key to successful investing is daring to challenge yourself and whatever you believe to be true. Packed with more than 100 visuals, usable tools, and a glossary, The Only Three Questions That Count is an entertaining and educational experience in the markets unlike any other, giving you an opportunity to reap the huge rewards that only the markets can offer.

American Literary-Political Engagements: From Poe to James examines how authors in the nineteenth-century United States often engaged the politics of their times through literature as they conceptualized political issues in literary terms. Concerns over Jacksonian democracy, social reform in a rapidly industrializing American economy, African-American familial cooperation in the post-Civil War era, changing conceptions of culpability with respect to the law, and marginalized individuals’ involvement in political agitation near the close of the century were made the central subjects of diverse literary works which, though not often characterized as overtly “political,” nevertheless made these political concerns a matter of and for literary art. Through examinations of Edgar Allan Poe’s comedic tales “How to Write a Blackwood Article” and “A Predicament,” Rebecca Harding Davis’ novel Margret Howth, Mattie J. Jackson’s postbellum slave narrative, William Dean Howells’ A Modern Instance, and Henry James’ The Princess Casamassima, this book considers how these texts enrich our understanding of nineteenth-century America’s conceptions of the possibilities and...

The “transmigration of souls is no fable. I would it were, but men and women are only half human.” With these words, Ralph Waldo Emerson confronts a dilemma that illuminates the formation of American individualism: to evolve and become fully human requires a heightened engagement with history. Americans, Emerson argues, must realize history’s chronology in themselves—because their own minds and bodies are its evolving record. Whereas scholarship has tended to minimize the mystical underpinnings of Emerson’s notion of the self, his depictions of “the metempsychosis of nature” reveal deep roots in mystical traditions from Hinduism and Buddhism to Platonism and Christian esotericism. In essay after essay, Emerson uses metempsychosis as an open-ended template to understand human development. In Leaves of Grass, Walt Whitman transforms Emerson’s conception of metempsychotic selfhood into an expressly poetic event. His vision of transmigration viscerally celebrates the poet’s ability to assume and live in other bodies; his American poet seeks to incorporate the entire nation into his own person so that he can speak for every man and woman.

"No American art critic has been more influential than Clement Greenberg. The high priest of 'formalism,' he set in motion an approach to art that has remained prevalent for nearly half a century. . . . In much the same way that Jackson Pollock elevated American painting to international renown, Mr. Greenberg is the first American art critic whose work can be put on the shelf next to Roger Fry, Charles Baudelaire and other great European critics."—Deborah Soloman, New York Times "His work was so much a part of the dynamics of American culture between, roughly, the end of World War II and the mid-Sixties that it can't be ignored. No American art critic has produced a more imposing body of work: arrogant, clear, and forceful, a permanent rebuke to the jargon and obscurantism that bedeviled art criticism in his time and still does now."—Robert Hughes, New York Review of Books

Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting. With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a...

The scholarship devoted to American literary realism has long wrestled with problems of definition: is realism a genre, with a particular form, content, and technique? Is it a style, with a distinctive artistic arrangement of words, characters, and description? Or is it a period, usually placed as occurring after the Civil War and concluding somewhere around the onset of World War I? This volume aims to widen the scope of study beyond mere definition, however, by expanding the boundaries of the subject through essays that reconsider and enlarge upon such questions. The Oxford Handbook of American Literary Realism aims to take stock of the scholarly work in the area and map out paths for future directions of study. The Handbook offers 35 vibrant and original essays of new interpretations of the artistic and political challenges of representing life. It is the first book to treat the subject topically and thematically, in wide scope, with essays that draw upon recent scholarship in literary and cultural studies to offer an authoritative and in-depth reassessment of major and minor figures and the contexts that shaped their work. Contributors here tease out the workings of a...

The nineteenth-century roots of environmental writing in American literature are often mentioned in passing and sometimes studied piece by piece. Writing the Environment in Nineteenth-Century American Literature: The Ecological Awareness of Early Scribes of Nature brings together numerous explorations of environmentally-aware writing across the genres of nineteenth-century literature. Like Lawrence Buell, the authors of this collection find Thoreau’s writing a touchstone of nineteenth-century environmental writing, particularly focusing on Thoreau’s claim that humans may function as “scribes of nature.” However, these studies of Thoreau’s antecedents, contemporaries, and successors also reveal a range of other writers in the nineteenth century whose literary treatments of nature are often more environmentally attuned than most readers have noticed. The writers whose works are studied in this collection include canonical and forgotten writers, men and women, early nineteenth-century and late nineteenth-century authors, pioneers and conservationists. They drew attention to the conflicted relationships between humans and the American continent, as experienced by Native...

The Thing about Roy Fisher is the first critical book to be dedicated to the work of this outstanding poet, who has won many admirers for his explorations of the modem city, his experiments with perception and sensory experience, his jazz-inspired prose, and his political and cultural comedies. The collection brings together a distinguished group of contributors : poets and critics, from several generations, active on both sides of the Atlantic. In a dozen newly commissioned essays they discuss the entire range of Roy Fisher's work, from its fraught beginnings in the 1950s through such major texts of the 1960s and 1970s as City, The Ship's Orchestra and Wonders of Obligation, to A Furnace, his 1980s masterpiece, and beyond. The essays are closely engaged with the fabric of Fisher's verse, but they also bring into view a fascinating array of connections between contemporary poetry and philosophy, psychology; the visual arts and jazz. The Thing about Roy Fisher ends with a full and up-to-date bibliography; an essential starting point for further study of this versatile and complex writer, whose centrality and importance within modern English and European poetry is now more than ever ...

A fresh look at how literary and visual portraiture in the Romantic era embodied a newly commercial culture

In the 19th and early 20th centuries, the majority of women were forced to seek their education outside the walls of American universities. Many turned to museums and libraries, for their own enlightenment, for formal education, and also for their careers. In Roffman’s close readings of four modernist writers—Edith Wharton, Nella Larsen, Marianne Moore, and Ruth Benedict—she studied the that modernist women writers were simultaneously critical of and shaped by these institutions. From the Modernist Annex offers new and critically significant ways of understanding these writers and their texts, the distribution of knowledge, and the complicated place of women in modernist institutions.

From his first novel, This Side of Paradise, which brought him a blaze of youthful fame, to his last, unfinished novel, The Last Tycoon, F. Scott Fitzgerald's appeal as one of America's most quintessential artists has continued to maintain its hold on twenty-first century readers. In this reader-friendly study of Fitzgerald's major fiction, Michael K. Glenday: - Offers new readings of the author's canonical works, including The Great Gatsby and Tender Is the Night - Draws on the very latest research in his reassessment of the ideas and significance of Fitzgerald's major novels - Explores the core themes of the novels, as well as their considerable contribution to the spirit and complexity of modern-day American culture Assuming no prior knowledge, this book is ideal for those seeking a lively, informed introduction to Fitzgerald's fiction, as well as those looking for fresh and original insights into his extraordinary work.

United States historians have long regarded the U.S. Civil War and its Reconstruction as a second American revolution. Literary scholars, however, have yet to show how fully these years revolutionized the American imagination. Emblematic of this moment was the post-war search for a "Great American Novel"--a novel fully adequate to the breadth and diversity of the United States in the era of the Fourteenth Amendment. While the passage of the Reconstruction Amendments declared the ideal of equality before the law a reality, persistent and increasing inequality challenged idealists and realists alike. The controversy over what full representation should mean sparked debates about the value of cultural difference and aesthetic dissonance, and it led to a thoroughgoing reconstruction of the meaning of "realism" for readers, writers, politics, and law. The dilemmas of incomplete emancipation, which would damage and define American life from the late nineteenth century onwards, would also force novelists to reconsider the definition and possibilities of the novel as a genre of social representation. Legal Realisms examines these transformations in the face of uneven developments in the...

In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment such as popular music and movies. Carrier illuminates the public role of art museums by describing the ways they influence how art is seen: through their architecture, their collections, the narratives they offer museum visitors. He insists that an understanding of the art museum must take into account the roles of collectors, curators, and museum architects. Toward that end, he offers a series of case studies, showing how particular museums and their collections evolved. Among those who...

First multi-year cumulation covers six years: 1965-70.

A simultaneously ecocritical and comparative study, New World Poetics plumbs the earthly depth and social breadth of the poetry of Walt Whitman, Pablo Neruda, and Derek Walcott, three of the Americas' most ambitious and epic-minded poets. In Whitman's call for a poetry of New World possibility, Neruda's invocation of an "American love," and Walcott's investment in the poetic ironies of an American epic, the adamic imagination of their poetry does not reinvent the mythical Garden that stands before history's beginnings but instead taps the foundational powers of language before a natural world deeply imbued with the traces of human time. Theirs is a postlapsarian Adam seeking a renewed sense of place in a biocentric and cross-cultural New World through language and nature's capacity for regeneration in the wake of human violence and suffering. The book introduces the environmental history of the Americas and its relationship to the foundation of American and Latin American studies, explores its relevance to each poet's ambition to recuperate the New World's lost histories, and provides a transnational poetics of understanding literary influence and textual simultaneity in the...

Draws on contributions from leading researchers to deliver a comprehensive overview of the latest knowledge on coral reef fishes.

This study aims to counter right-wing discourses of belonging. It discusses key theoretical concepts for the study of home, focusing in particular on Marxist, feminist, postcolonial, and psychoanalytic contributions. The book also maintains that postmodern celebrations of nomadism and exile tend to be incapable of providing an alternative to conservative, xenophobic appropriations of home. In detailed readings of one film and six novels, a view is developed according to which home, as a spatio-temporal imaginary, is rooted in our species being, and as such constitutes the inevitable starting point for any progressive politics.

In Environmental Degradation in Jacobean Drama, Bruce Boehrer provides the first general history of the Shakespearean stage to focus primarily on ecological issues. Early modern English drama was conditioned by the environmental events of the cities and landscapes within which it developed. Boehrer introduces Jacobean London as the first modern European metropolis in an England beset by problems of overpopulation; depletion of resources and species; land, water and air pollution; disease and other health-related issues; and associated changes in social behavior and cultural output. In six chapters he discusses the work of the most productive and influential playwrights of the day: Shakespeare, Jonson, Middleton, Fletcher, Dekker and Heywood, exploring the strategies by which they made sense of radical ecological change in their drama. In the process, Boehrer sketches out these playwrights' differing responses to environmental issues and traces their legacy for later literary formulations of green consciousness.

In Evolution by the Numbers: The Origins of Mathematical Argument in Biology, James Wynn examines the confluence of science, mathematics, and rhetoric in the development of theories of evolution and heredity in the nineteenth century. Evolution by the Numbers shows how mathematical warrants become accepted sources for argument in the biological sciences and explores the importance of rhetorical strategies in persuading biologists to accept mathematical arguments.

Thirty-five years after its initial publication, Harold Cruse's "The Crisis of the Negro Intellectual," remains a foundational work in Afro-American Studies and American Cultural Studies. Published during a highly contentious moment in Afro-American political life, "The Crisis of the Negro Intellectual" was one of the very few texts that treated Afro-American intellectuals as intellectually significant. The essays contained in Harold Cruse's "The Crisis of the Negro Intellectual Reconsidered" are collectively a testimony to the continuing significance of this polemical call to arms for black intellectuals. Each scholar featured in this book has chosen to discuss specific arguments made by Cruse. While some have utilized Cruse's arguments to launch broader discussions of various issues pertaining to Afro-American intellectuals, and others have contributed discussions on intellectual issues completely ignored by Cruse, all hope to pay homage to a thinker worthy of continual reconsideration.

A collection of essays looking back at the influence of The Crisis of the Negro Intellectual, first published 35 years ago.

This collection of fifteen original essays and one original poem explores the theme of “place” in the life, works, and afterlife of Edgar A. Poe (1809-1849). Poe and Place argues that “place” is an important critical category through which to understand this classic American author in new and interesting ways. The geographical “places” examined include the cities in which Poe lived and worked, specific locales included in his fictional works, imaginary places featured in his writings, physical and imaginary places and spaces from which he departed and those to which he sought to return, places he claimed to have gone, and places that have embraced him as their own. The geo-critical and geo-spatial perspectives in the collection offer fresh readings of Poe and provide readers new vantage points from which to approach Poe’s life, literary works, aesthetic concerns, and cultural afterlife.

Alan Jay Lerner wrote the lyrics for some of the most beloved musicals in Broadway and Hollywood history. Most notably, with composer Frederick Loewe he created enduring hits such as My Fair Lady, Gigi, Camelot, and Brigadoon. In The Complete Lyrics of Alan Jay Lerner, editors and annotators Dominic McHugh and Amy Asch bring all of Lerner's lyrics together for the first time, including numerous draft or alternate versions and songs cut from the shows. Compiled from dozens of archival collections, this invaluable resource and authoritative reference includes both Lerner's classic works and numerous discoveries, including his unproduced MGM movie Huckleberry Finn, selections from his college musicals, and lyrics from three different versions of Paint Your Wagon. This collection also includes extensive material from Lerner's two most ambitious musicals: Love Life, to music by Kurt Weill, and 1600 Pennsylvania Avenue, which Lerner wrote with Leonard Bernstein.

Vols. 8-10 of the 1965-1984 master cumulation constitute a title index.

Jewish art has always been with us, but so has a broader canvas of Jewish imaginings: in thought, in emotion, in text, and in ritual practice. Imagining the Jewish God was there in the beginning, as it were, engraved and embedded in the ways Jews lived and responded to their God.This book attempts to give voice to these diverse imaginings of the Jewish God, and offers these collected essays and poems as a living text meant to provoke a substantive and nourishing dialogue. A responsive, living covenant lies at the heart of this book—a covenantal reciprocity that actively engages the dynamics of Jewish thinking and acting in dialogue with God. The contributors to this volume are committed to this form of textual reasoning, even as they all move us beyond the “text” as foundational for the imagined “people of the book.” That people, we submit, lives and breathes in and beyond the texts of poetry, narrative, sacred literature, film, and graphic mediums. We imagine the Jewish people, and the covenant they respond to, as provocative intimations of the divine. The essays in this volume seek to draw these vocal intimations out so that we can all hear their resonant call.