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Qu'est-ce que le Mezzogiorno ? Le découpage officiel opéré par la loi du 10 août 1950 n'apporte qu'une réponde administrative, et peut-être économique. Les nostalgiques préfèreront parler du Royaume des Deux-Siciles... Néanmoins, la perception littéraire et artistique ne saurait s'assujettir aux repères politiques et les limites du Mezzogiorno demeurent fluctuantes. Nombreux sont les voyageurs qui ne sont pas allés plus au sud que Rome, s'arrêtant à ce qui fut longtemps considéré comme la frontière de la civilisation. Pour Dominique Fernandez, la frontière décisive se situe à Terracine, aux confins du Royaume de Naples, mais l'option la plus courante est de prendre Naples comme point ultime, au-delà duquel comment n autre monde, même si d'aucuns repoussent cette limite jusqu'à Paestum, terme méridional du voyage pour la plupart des étrangers et " fin de l'Italie. Le Mezzogiorno a été longtemps perçu (et par les Italiens eux-mêmes) comme une région-limite, où l'altérité culturelle était bien plus sensible que dans le reste de la péninsule.

Hélène Cixous is one of the most brilliant and radical of contemporary theorists. This is the first publication in any language of Cixous' own Notebooks, illustrating the concept of "écriture féminine" and offering new insights into Cixous' theoretical insistence on writing and her own practice as a writer. Cixous' Notebooks exemplify how writing creates unique possibilities for circumventing the mistruths that shape us as subjects and which organize our relations with the world. The Writing Notebooks opens with an introduction which outlines the central points of Cixous' notion of writing. The main body of the work is comprised of 60 photographic extracts from the Notebooks, each extract accompanied by editorial annotation and a translation into English. The book concludes with a new interview with Cixous on the value of the Notebooks, the process of writing and her own fiction. Cixous' Notebooks will be invaluable to students of literature, psychoanalysis, philosophy and feminism.

The contributions in this volume follow the suggestion to consider discourse structure not only from the perspective of variation between the written and the spoken mode, but also from the perspective of variation on a continuum from formal to...

The expression “North of the North” refers both to an objective, geographical reality – the territories situated at the highest latitudes on our planet – and to a subjective, mental construction which came into being many centuries ago and has been developed, modified and differentiated ever since. The chapters in the present volume examine various aspects of that concept, analysing texts and works of art from a range of regions and periods. La notion de « Nord du Nord » renvoie tout autant à la réalité géographique objective que sont les territoires des latitudes les plus élevées de notre planète qu’à une construction mentale subjective qui s’est constituée, développée et modifiée au cours du temps. Les contributions du présent volume se proposent d’en explorer les multiples facettes en recourant à des textes et œuvres d’art d’époques et de provenances diverses. Der Begriff „Norden des Nordens“ verweist sowohl auf eine objektive geographische Wirklichkeit, nämlich die in den höchsten Breitengraden unseres Planeten gelegenen Territorien, als auch auf eine subjektive mentale Konstruktion, die im Laufe der Zeiten entstanden ist, sich...

'Life-writing' is a generic term meant to encompass a range of writings about lives or parts of lives, or which provide materials out of which lives or parts of lives are composed. These writings include not only memoir, autobiography, biography, diaries, autobiographical fiction, and biographical fiction, but letters, writs, wills, written anecdotes, depositions, marginalia, lyric poems, scientific and historical writings, and digital forms (including blogs, tweets, Facebook entries). On Life-Writing offers a sampling of approaches to the study of life-writing, introducing readers to something of the range of forms the term encompasses, their changing fortunes and features, the notions of 'life,' 'self' and 'story' which help to explain these changing fortunes and features, recent attempts to group forms, the permeability of the boundaries between forms, the moral problems raised by life-writing in all forms, but particularly in fictional forms, and the relations between life-writing and history, life-writing and psychoanalysis, life-writing and philosophy. The essays mostly focus on individual instances rather than fields, whether historical, theoretical or generic....

Supporting Research Writing explores the range of services designed to facilitate academic writing and publication in English by non-native English-speaking (NNES) authors. It analyses the realities of offering services such as education, translation, editing and writing, and then considers the challenges and benefits that result when these boundaries are consciously blurred. It thus provides an opportunity for readers to reflect on their professional roles and the services that will best serve their clients’ needs. A recurring theme is, therefore, the interaction between language professional and client-author. The book offers insights into the opportunities and challenges presented by considering ourselves first and foremost as writing support professionals, differing in our primary approach (through teaching, translating, editing, writing, or a combination of those) but with a common goal. This view has major consequences for the training of professionals who support English-language publication by NNES academics and scientists. Supporting Research Writing will therefore be a stimulus to professional development for those who support English-language publication in real-life...

A diary entry, begun by a wife and finished by a husband; a map of London, its streets bearing the names of forgotten lives; biographies of siblings, and of spouses; a poem which gives life to long-dead voices from the archives. All these feature in this volume as examples of ‘writing lives together’: British life writing which has been collaboratively authored and/or joins together the lives of multiple subjects. The contributions to this book range over published and unpublished material from the late eighteenth to the late nineteenth centuries, including biography, auto/biographical memoirs, letters, diaries, sermons, maps and directories. The book closes with essays by contemporary, practising biographers, Daisy Hay and Laurel Brake, who explain their decisions to move away from the single subject in writing the lives of figures from the Romantic and Victorian periods. We conclude with the reflections and work of a contemporary poet, Kathleen Bell, writing on James Watt (1736–1819) and his family, in a ghostly collaboration with the archives. Taken as a whole, the collection offers distinctive new readings of collaboration in theory and practice, reflecting on the many...

This exciting collection of original essays on early modern women’s writing offers a range of approaches to a growing field. As a whole, the volume introduces readers to a number of writers, such as Mirabai and Liu Rushi, who are virtually invisible in Anglophone scholarship, and to writers who remain little known, such as Elizabeth Melville, Elizabeth Hatton, and Jane Sharpe. The volume also represents critical strategies designed to open up the emergent canon of early modern women’s writing to new approaches, especially those that have consolidated the integration of literary and intellectual history, with an emphasis on religion, legal issues, and questions of genre. The authors expand the methodological possibilities available to approach early modern women who wrote in a diverse number of genres, from letters to poetry, autobiography and prose fiction. The sixteen essays are a major contribution to an area that has attracted the interest of a number of fields, including literary studies, history, cultural studies, and women’s studies.

This engaging text explores the role of the writer and the text in collaborative practice through the work of contemporary writers and companies working in Britain, offering students and aspiring writers and directors effective practical strategies for collaborative work.

This is a companion to The Creative Writing Handbook - now in its second edition. It is very much aimed at the individual writer, based on the idea that real writing comes from within and that writing is a craft, skill with determination, art with attitude. The book is filled with useful ideas and inspiring techniques for exploring and exploiting resources available, both within and without. It focuses on three major areas - the writer's roots (family, class and gender), the writer's resources (memory and language) and the writer's art (form and technique). Chapters focus on many topics, including how memory shapes a writer's material, the pro-creative force of words and the ambiguities of art and artfulness. Many examples of established writers' works are cited to give the fledgling writer much practical help.

What does 'literature' mean in our time? While names like Proust, Kafka and Woolf still stand for something, what that something actually is has become obscured by the claims of commerce and journalism. Perhaps a new form of attention is required. Stephen Mitchelmore began writing online in 1996 and became Britain's first book blogger soon after, developing the form so that it can respond in kind to the singular space opened by writing. Across 44 essays, he discusses among many others the novels of Richard Ford, Jeanette Winterson and Karl Ove Knausgaard, the significance for modern writers of cave paintings and the moai of Easter Island, and the enduring fallacy of 'Reality Hunger', all the while maintaining a focus on the strange nature of literary space. By listening to the echoes and resonances of writing, this book enables a unique encounter with literature that many critics habitually ignore. With an introduction by the acclaimed novelist Lars Iyer, This Space of Writing offers a renewed appreciation of the mystery and promise of writing.

This book is a survey of personal illness as described in various forms of early modern manuscript life-writing. How did people in the seventeenth century rationalise and record illness? Observing that medical explanations for illness were fewer than may be imagined, the author explores the social and religious frameworks by which illness was more commonly recorded and understood. The story that emerges is of illness written into personal manuscripts in prescriptive rather than original terms. This study uncovers the ways in which illness, so described, contributed to the self-patterning these texts were set up to perform.

The Writing Wizards is an online Literary magazine. Comprises Story, Poetry, Author interviews and much more The Writings Wizards, a literary magazine giving wings to the new upcoming Author/Writers to share their creativity with a larg number of reader. The Writing Wizards is Published by Twilight Of Poem, a literary Organization empowering youths to writings. The Twilight of Poem, is an independent literary organization committed to a vigorous presence for poetry in our culture. It exists to discover and celebrate the best poetry and to place it before the largest possible audience.

Women's writing in any period remains of critical concern, both at undergraduate and postgraduate level. Alexandra Barratt's edition offers a wide range of texts from the period 1300-1500, including: Original texts written by women in the Middle Ages Texts translated by women in the Middle Ages Prayers, meditations, scriptural comment, and accounts of religious experiences Educational writings Romance, poetry Each poem is given a headnote, giving details of composition, manuscript and sources. Full on-page annotation is provided giving details of allusions to contemporary religious, historical and social issues. A general introduction gives context to all the pieces and provides a penetrating account of the role of women in a burgeoning society of literary and cultural transmission.

Hubbell Elementary's Writing Club Stories: Comics, Tragedies and Insane Imagination has a variety of stories -- funny and sad, scary and kind of odd -- all written, edited and compiled by Writing Club members. This version of Volume 1 has only stories and poetry.

This collection addresses the theme of representation in anthropology. Its fourteen articles explore some of the directions in which contemporary anthropology is moving, following the questions raised by the "writing culture" debates of the 1980s. It includes discussion of issues such as: * the concept of caste in Indian society * scottish ethnography * how dreams are culturally conceptualised * representations of the family * culture as conservation * gardens, theme parks and the anthropologist in Japan * representation in rural Japan * people's place in the landscape of Northern Australia * representing identity of the New Zealand Maori.

FOUNDATIONS OF LEGAL RESEARCH AND WRITING, Fifth Edition is the ideal resource for paralegals. The book's up-to-the-minute coverage tackles the ever-evolving areas of computer-assisted research and Cyber law, in addition to traditional legal research, analysis, and writing. Extensive research chapters address primary and secondary sources, citating, Lexis/Nexis, the Internet, and more, while writing sections center on drafting client opinion letters, pleadings, contracts, office memos, memoranda of law, and appellate briefs. Every chapter gives you practice writing opportunities, as well as traditional and computer-assisted research assignments to help develop your skills. Detailed case excerpts, samples, tips, and discussions further support the assignments, and illustrate the many perils of inadequate research and poor legal writing. Readers everywhere agree that FOUNDATIONS OF LEGAL RESEARCH AND WRITING, Fifth Edition delivers the concepts you need for success in the most demanding law firms and legal departments today. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

A colorful, enlightening account of how Thomas Jefferson wrote the Declaration of Independence, and the road to July 4: a selection from Joseph J. Ellis’s American Sphinx, winner of the National Book Award. How did the newest and youngest member of Virginia’s delegation to the Constitutional Congress come to write the founding document of the American project? In “Writing the Declaration of Independence,” Pulitzer Prize–winning historian Joseph J. Ellis outlines the life of the document and the road to its adoption on July 4. From Jefferson’s arrival in Philadelphia in 1775 in an ornate carriage along with four horses and three slaves, to a fascinating guided tour of the drafts and discussions (including the importance of a good speaking voice, the theatricality of Patrick Henry, and Jefferson’s tortured, ultimately discarded section blaming the king for American slavery), this is the true history of Independence Day.

By examining these competing depictions of combat that coexist in sixteenth-century texts ranging from Arthurian romance to early modern medical texts, this study reveals both the importance of combat in understanding the humanist subject and the contours of the previously neglected pre-modern subject.

Postcolonial literature about the South Seas, or Nanyang, examines the history of Chinese migration, localization, and interethnic exchange in Southeast Asia, where Sinophone settler cultures evolved independently by adapting to their "New World" and mingling with native cultures. Writing the South Seas explains why Nanyang encounters, neglected by most literary histories, should be considered crucial to the national literatures of China and Southeast Asia.

Bibliografie : p. 198-222. - Met reg. The book explores a complex and fascinating set of interrelated issues, establishing the significance of such wide-ranging subjects as: re-mapping, re-naming and cultural crossings; migration and the re-negotiation of identities; the discourse of uprisings and constructions of Empire; African women's writing and resistance to domination; creativity, theorizing and critical relationality; and gender, language and the politics of location.

The sphygmograph was one of the promising instruments of precision that captured the imagination of mid- and late-nineteenth-century physicians eager to plumb the secrets of the circulatory system. Literally a pulse writer, the sphygmograph allowed physicians to study a permanent record (sphygmogram) of the contours and rhythms of the pulse wave. The early masters of the sphygmograph were hopeful that images of the pulse at the wrist could reveal much about the action of the heart and major blood vessels that would prove useful in research and practice. Although the sphygmograph proved to be a frustrating instrument and its pulse recordings confusing, it prepared early twentieth-century physicians to embrace more reliable technologies, such as the sphygmomanometer (blood pressure cuff) and the electrocardiograph. This book traces the European invention, development, and application of the sphygmograph before turning to a detailed study of the novel instruments and clinical investigations of three heretofore unremarked American sphygmograph men and the role of the sphygmograph in American medical practice, most notably in the hands of Dr. Mary Putnam Jacobi. A final chapter...

This book presents a perspective on genre based on what it is that leads users of a language to recognise a communicative event as an instance of a particular genre. Key notions in this perspective are those of prototype, inheritance, and intertextuality; that is, the extent to which a text is typical of the particular genre, the qualities or properties that are inherited from other instances of the communicative event, and the ways in which a text is influenced by other texts of a similar kind. The texts which form the basis of this discussion are drawn from experimental research reporting in English. Contents: 1. Introduction 2. Approaches to genre 3. Genre and frames 4. A sample analysis: Writing up research 5. Summary and conclusions.

Reprinted eight times following its original publication in 1913, this book provides a practical introduction to précis writing. Derry Evans includes practical exercises in the form of series of texts of graduated difficulty, from a variety of authors, for the student to practice summarizing. This book will be of value to anyone interested in the art of summarization.

This teaching guide is the result of 3 years of thinking, trying, rethinking, and trying again with an assignment sequence in which one instructor attempted to address the personal as well as the academic needs of students in the Program of Intensive English at the University of California at Santa Barbara. According to the guide, many of these students--Hispanics, African Americans, Asian Americans, Native Americans, and Caucasians--lack fluency in written English and find writing onerous. The guide states that the writing sequence combines reading, short writing exercises, and journal entries, plus individual and group activities that culminate in a series of essay assignments. It explains that this series focuses on the heritage and backgrounds of students, and takes them from"Noting Down" journal writings; through "Looking Back" personal recollection and family stories; through "Looking Into" research projects and research papers; to the "Thinking Through" thesis essay. The guide states that the curriculum is structured so that each assignment builds not only on preceding exercises and essay assignments, but also anticipates those that follow, and includes an introduction to...

Haswell's approach incorporates original research, the post-positive philosophers of human change such as Habermas and Gadamer, and new information about adult development. His analysis serves teachers of writing by untangling some of the more vexing problems involved with personal style, gender, organization, error, production rate, use of models, assessment, curriculum, remediation, and diagnosis. Annotation copyrighted by Book News, Inc., Portland, OR

Writing essays is a major part of many further education courses. In coursework assignments, dissertations and exams, a well-written essay can make the difference between a pass and a fail, and these essays provide you with the stepping stones that take you towards the degree, qualification and career that you desire. Nothing will expose your uncertainty or lack of knowledge more than a poorly written essay; what Essay Writing Skills does is let you know what is expected of you and how best to go about your research, thus allowing you to get on top of your workload quickly. Essay Writing Skills offers practical and proven ways to maximise your success in all aspects of essay writing. From planning your first essay to assessing primary and secondary sources, it will help you to write in a systematic way that presents a convincing and academically sound argument. A comprehensive guide, it provides guidance and advice on good research techniques, grammar and accuracy, creating an essay plan and correctly citing your sources. It also includes a range of real life example essays and insider knowledge on how your essays are assessed, Essay Writing Skills is an indispensible source of...

This program helps develop the essential writing skills needed to write research papers and essays. A variety of strategies for organizing ideas and prewriting are included. High utility writing forms and genres include letters, expository essays, outlines, and summaries.

Discover the secrets of written persuasion! "The principles of hypnosis, when applied to copywriting, add a new spin to selling. Joe Vitale has taken hypnotic words to set the perfect sales environment and then shows us how to use those words to motivate a prospect to take the action you want. This is truly a new and effective approach to copywriting, which I strongly recommend you learn. It's pure genius." -Joseph Sugarman, author of Triggers "I've read countless book on persuasion, but none come close to this one in showing you exactly how to put your readers into a buying trance that makes whatever you are offering them irresistible." -David Garfinkel, author of Advertising Headlines That Make You Rich "I am a huge fan of Vitale and his books, and Hypnotic Writing (first published more than twenty years ago), is my absolute favorite. Updated with additional text and fresh examples, especially from e-mail writing, Joe's specialty, Hypnotic Writing is the most important book on copywriting (yes, that's really what it is about) to be published in this century. Read it. It will make you a better copywriter, period." -Bob Bly, copywriter and author of The Copywriter's Handbook "I...

Broadening the traditional notion of undergraduate research, WRITING, READING, AND RESEARCH thoroughly covers the essential skills for developing a research paper: analytical reading, synthesizing, paraphrasing, and summarizing. Presenting the process of research in a practical sequence, including separate chapters on finding, analyzing, and integrating sources, the authors illustrate each stage of the process with examples of student and professional writing. Using a flexible and goal-oriented approach, the authors have created a text that blends the best features of a theoretically informed rhetoric, an interdisciplinary reading anthology, and a research guide. WRITING, READING, AND RESEARCH, Ninth Edition, provides helpful and engaging exercises, frequent opportunities to write, and many occasions for discussion and critical response. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

"Writing Talk includes interviews with nineteen well-known contemporary writers, exploring the ways in which they research and find their original ideas and the way they interpret, hone and develop them. The conversations examine the roles of technique, craft, language, reading, memory, serendipity, habit and persistence. They offer technical detail about the creative process and give unique insights into the borderlands between genres as well as offering rich, personal insights and universal resonances. A thorough introduction surveys the reasons why we are intrigued by the mysteries of individual writing practice and how these illuminate critical attitudes to literature and performance. Interviewees: Alan Ayckbourn, Iain Banks, Helen Blakeman, Louis de Bernières, Sarah Butler, Andrew Cowan, Jenny Diski, Patricia Duncker, David Edgar, Tanika Gupta, Richard Holmes, Hanif Kureishi, Bryony Lavery, Toby Litt, Kareem Mortimer, Michèle Roberts, Jane Rogers, Willy Russell, Sally Wainwright"--

Provides guidelines for writing memoirs and personal accounts, including tips on telling the truth, writing about living people, and placing a personal story in a larger context.

This book is aimed at writers seeking to move beyond the initial stages of writing to the completion of stories and novels. It includes 18 writing exercises suitable for all styles of writing and for all levels of experience.

Economics is not a field that is known for good writing. Charts, yes. Sparkling prose, no. Except, that is, when it comes to Deirdre Nansen McCloskey. Her conversational and witty yet always clear style is a hallmark of her classic works of economic history, enlivening the dismal science and engaging readers well beyond the discipline. And now she’s here to share the secrets of how it’s done. Economical Writing is itself economical: a collection of thirty-five pithy rules for making your writing clear, concise, and effective. Proceeding from big-picture ideas to concrete strategies for improvement at the level of the paragraph, sentence, or word, McCloskey shows us that good writing, after all, is not just a matter of taste—it’s a product of adept intuition and a rigorous revision process. Debunking stale rules, warning us that “footnotes are nests for pedants,” and offering an arsenal of readily applicable tools and methods, she shows writers of all levels of experience how to rethink the way they approach their work, and gives them the knowledge to turn mediocre prose into magic. At once efficient and digestible, hilarious and provocative, Economical Writing lives up ...